Damaged (Danity Kane Song) - Music Video

Music Video

The music video for "Damaged" was directed by Syndrome and premiered on March 11, 2008 on MTV's TRL, where it peaked at number 3 on its countdown. In its entirety it premiered on MTV.com. The video also premiered as the 'New Joint' on BET's 106 & Park on March 20, 2008. The song peaked at No. 6.

The video features the members of Danity Kane in a futuristic theme. The pink special effects are used to represent the setting of being within an actual heart. Throughout the video, choreography is done along with the music and the girls are shown in a futuristic room with screens of them performing the choreography, which they see while laying down on a futuristic bed. Towards the end of the music video, the beds that the girls are lying on close to form a heart, which happens to be the heart of a man on a stretcher in a hospital. Medical staff, who turn out to be the members of Danity Kane, try to revive him. The music video then transitions to a setting where the man is in his bedroom with a note on him saying "Tired of the damage – DK".

For the DJ Crime Remix, a video was released on Danity Kane's official YouTube channel.

  • The video was nominated for Best Pop Video and Best Dancing in a Video at the MTV Video Music Awards 2008.
  • The song was nominated for a Teen Choice Award for Best R&B Track.
  • "Damaged" was ranked No. 2 on MTV's 25 most-viewed music videos of 2008 only to be beaten by the Britney Spears song "Womanizer"
  • "Damaged" also ranked No. 9 on MTV's Top 25 songs of 2008.
  • "Damaged" was also ranked No. 5 on MTV's Top 25 Videos of 2008.

Read more about this topic:  Damaged (Danity Kane Song)

Famous quotes containing the words music and/or video:

    Let music sound while he doth make his choice;
    Then if he lose he makes a swan-like end,
    Fading in music.
    William Shakespeare (1564–1616)

    We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.
    Richard Louv (20th century)