Release
Due to copyright problems involving the unauthorized use of the Playboy bunny costume—who denied permission for an American release—and music by ELO, an official release of the animations has proven impossible. However, a laserdisc featuring DAICON III & IV Opening Animation was unofficially released in Japan as bonus material to a ¥16,000 art book of the animations. This laserdisc is considered rare and highly valuable among collectors, easily fetching prices over a thousand dollars on online auctions.
Since its release the animations have been referenced several times in Japanese media productions, especially those focused on otaku culture. Clips and characters from the animations appear in the 1991 Gainax OVA Otaku no Video. The opening sequence of the Train Man Japanese TV drama series from 2005 was inspired by and uses the Electric Light Orchestra theme and the lead character from the DAICON IV film.
Kazutaka Miyatake of Studio Nue originally designed the mecha that appears in the DAICON III clip chasing the little girl for a Japanese edition of the Starship Troopers Military sci-fi novel in the early eighties.
Read more about this topic: DAICON III And IV Opening Animations
Famous quotes containing the word release:
“The near touch of death may be a release into life; if only it will break the egoistic will, and release that other flow.”
—D.H. (David Herbert)
“If I were to be taken hostage, I would not plead for release nor would I want my government to be blackmailed. I think certain government officials, industrialists and celebrated persons should make it clear they are prepared to be sacrificed if taken hostage. If that were done, what gain would there be for terrorists in taking hostages?”
—Margaret Mead (1901–1978)
“We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.”
—Elizabeth Drew (1887–1965)