Story
Kuro is a housecat for an old couple who cannot defend themselves and are in frequent danger. They rely on him to keep burglars from invading their house, at which he is skilled. Despite his courage, he is in love with the neighborhood dog, Pooly, and he sets out to confess this one day. While heading to see her, he and Pooly are ambushed and injured. Kuro is then kidnapped by Dr. Go, a mad scientist, and transformed into a cyborg with invincible steel frames and unlimited strength, the latest in a line of robot cats used for world domination, called the "Nyan-Nyan Army". He somehow, though, breaks a chip supposedly used to control him, and he escapes Go's laboratory as well as destroying it, while he now realizes that he is now bipedal and can speak human language. He comes to terms with his predicament, while maintaining his lifestyle as an average housecat. However, Go feels that Kuro is ungrateful to him, and he and the Nyan-Nyan Army, including the most well-known M, set out to find and kill him, though they eventually surrender and decide to live a more peaceful life.
Often, Kuro will save his owners and the city from trouble. He has multiple adversaries, including Go's Nyan-Nyan Army. Dr. Go and M help Kuro out in the toughest situations. Throughout the course of the series, there are phantasmal and extraordinary predicaments that Kuro and his friends must solve.
Read more about this topic: Cyborg Kuro-chan
Famous quotes containing the word story:
“When a book, any sort of book, reaches a certain intensity of artistic performance it becomes literature. That intensity may be a matter of style, situation, character, emotional tone, or idea, or half a dozen other things. It may also be a perfection of control over the movement of a story similar to the control a great pitcher has over the ball.”
—Raymond Chandler (1888–1959)
“Television programming for children need not be saccharine or insipid in order to give to violence its proper balance in the scheme of things.... But as an endless diet for the sake of excitement and sensation in stories whose plots are vehicles for killing and torture and little more, it is not healthy for young children. Unfamiliar as yet with the full story of human response, they are being misled when they are offered perversion before they have fully learned what is sound.”
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“There is one story and one story only
That will prove worth your telling,
Whether as learned bard or gifted child;”
—Robert Graves (1895–1985)