Music
There is great diversity in music from South Africa. Many black musicians who sang in Afrikaans or English during apartheid have since begun to sing in traditional African languages, and have developed a unique style called Kwaito. Of note is Brenda Fassie, who launched to fame with her song "Weekend Special", which was sung in English. More famous traditional musicians include Ladysmith Black Mambazo, while the Soweto String Quartet performs classic music with an African flavour. White and Coloured South African singers are historically influenced by European musical styles.
South Africa has produced world-famous jazz musicians, notably Hugh Masekela, Jonas Gwangwa, Abdullah Ibrahim, Miriam Makeba, Jonathan Butler, Chris McGregor, and Sathima Bea Benjamin. Afrikaans music covers multiple genres, such as the contemporary Steve Hofmeyr and the punk rock band Fokofpolisiekar. Crossover artists such as Verity (internationally recognised for innovation in the music industry) and Johnny Clegg and his bands Juluka and Savuka have enjoyed various success underground, publicly, and abroad.
The South African music scene includes Kwaito, a new music genre that had developed in the mid 1980s and has since developed to become the most popular socio-economic form of representation among the populace. Some may argue that the political aspects of Kwaito have diminished after Apartheid, and the relative interest in politics has become a minor aspect of daily life. Others argue that in a sense, Kwaito is in fact a political force that shows activism in its apolitical actions.
Today, major corporations like Sony, BMG, and EMI have appeared on the South African scene to produce and distribute Kwaito music. Due to its overwhelming popularity, as well as the general influence of DJs, who are among the top 5 most influential types of people within the country, Kwaito has taken over radio, television, and magazines.
Read more about this topic: Culture Of South Africa
Famous quotes containing the word music:
“In benevolent natures the impulse to pity is so sudden, that like instruments of music which obey the touch ... you would think the will was scarce concerned, and that the mind was altogether passive in the sympathy which her own goodness has excited. The truth is,—the soul is [so] ... wholly engrossed by the object of pity, that she does not ... take leisure to examine the principles upon which she acts.”
—Laurence Sterne (1713–1768)
“Have you ever been up in your plane at night, alone, somewhere, 20,000 feet above the ocean?... Did you ever hear music up there?... It’s the music a man’s spirit sings to his heart, when the earth’s far away and there isn’t any more fear. It’s the high, fine, beautiful sound of an earth-bound creature who grew wings and flew up high and looked straight into the face of the future. And caught, just for an instant, the unbelievable vision of a free man in a free world.”
—Dalton Trumbo (1905–1976)
“Orpheus with his lute made trees
And the mountain tops that freeze
Bow themselves when he did sing.
To his music plants and flowers
Ever sprung, as sun and showers
There had made a lasting spring.”
—William Shakespeare (1564–1616)