Culture of New York City - Comic Books

Comic Books

The American comic book was invented in New York City in the early 1930s as a way to cheaply repackage and resell newspaper comic strips, which also experienced their major period of creative growth and development in New York papers in the first decades of the 20th century. Immigrant culture in the city was the central topic and inspiration for comics from the days of Hogan's Alley, the Yellow Kid, The Katzenjammer Kids and beyond. Virtually all creators and workers employed in the early comic book industry were based in New York, from publishers to artists, many of them coming from immigrant Jewish families in the Lower East Side and Brooklyn.

It can be argued that superheroes, the uniquely American contribution to comic books, owe their origin to New York, despite the fact that the first superhero, Superman, was created by two artists from Cleveland, Ohio. Even when not based explicitly in New York, superhero stories often make use of recognizable stand-ins for the city, such as Metropolis or Gotham City (Gotham being a common nickname for New York). The form and narrative conventions of superhero stories frequently dictate New York-sized cities as the settings, even generically.

Marvel Comics became famous for breaking with convention and setting their stories explicitly in a "real" New York, giving recognizable addresses for the homes of their major characters. Peter Parker, Spider-Man, lived with his Aunt May in Forest Hills, Queens. The Baxter Building, long-time home of the Fantastic Four, was located at 42nd and Madison Avenue. In 2007, the City of New York declared April 30 May 6 "Spider-Man Week" in honor of the release of Spider-Man 3. Both of the previous Spider-Man movies made heavy use of New York as a backdrop and included crowd scenes filled with "stereotypical New Yorkers."

New York also served as an inspiration and home for much of America's non-superhero comic books, famously starting with cartoonist and Brooklyn native Will Eisner's many depictions of everyday life among poor, working-class and immigrant New Yorkers. Today New York's alternative comics scene is thriving, including native New Yorkers Art Spiegelman, Ben Katchor and Dean Haspiel, graduates of the School of Visual Arts cartooning program (the first accredited cartooning program in the country) and many others.

Meanwhile, New York's comic book history has worked its way into other facets of New York City culture, from the Pop Art of Roy Lichtenstein to the recent literary production of Brooklyn-based Jonathan Lethem and Dave Eggers.

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