Literature
While Kreol Morisyen (Mauritian Creole) is the most spoken language on in Mauritius, most of the literature is written in French, although many authors write in English, Bhojpuri, and Morisyen (Mauritian Creole), and others such as Abhimanyu Unnuth in Hindi. Mauritius's renowned playwright Dev Virahsawmy writes exclusively in Morisyen.
Important authors include Malcolm de Chazal, Ananda Devi, Raymond Chasle, Loys Masson, Marcel Cabon, and Edouard Maunick. Lindsey Collen has been able to carve out a meeting of imaginaries in the unique social setup of this multi-faceted country. Other younger writers like Shenaz Patel, Amal Sewtohul, Natacha Appanah, Alain Gordon-Gentil and Carl de Souza explore the issues of ethnicity, superstition and politics in the novel. Poet and critic Khal Torabully has put forward the concept of "coolitude," a poetics that results from the blend of Indian and Mauritian cultural diversity. Other poets include Hassam Wachill, Edouard Maunick, Sedley Assone, Yusuf Kadel and Umar Timol.
The island plays host to the covetable Le Prince Maurice Prize, a literary award celebrating and recognizing 'writers of the heart'. The award is designed to highlight the literary love story in all its forms rather than for pure Romantic Fiction. In keeping with the island's literary culture the prize alternates on a yearly basis between English-speaking and French-speaking writers.
Read more about this topic: Culture Of Mauritius
Famous quotes containing the word literature:
“I make a virtue of my suffering
From nearly everything that goes on round me.
In other words, I know wherever I am,
Being the creature of literature I am,
I shall not lack for pain to keep me awake.”
—Robert Frost (1874–1963)
“How simple the writing of literature would be if it were only necessary to write in another way what has been well written. It is because we have had such great writers in the past that a writer is driven far out past where he can go, out to where no one can help him.”
—Ernest Hemingway (1899–1961)
“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)