Music
Liberia has its own ancient music and instruments. While Liberian music is part of wider West African music heritage, it is also distinct from its neighbors. There are several different types of drums used in traditional music. Drums are one of the most widely used instruments in many ceremonies both official and non official, weddings, christenings, naming ceremonies, holidays, graduations, etc. Next to drums, beaded gourd rattles called Saassaa are also used in mainstream music by many Liberian singers, musicians, and ensembles across the country. Songs are sung in both English and all indigenous languages. Other instruments similar to the xylophone include Yomo Gor. Music is a main highlight of Liberian culture not only used as entertainment but to educate society on issues ranging from culture, politics, history to human rights.
Religious music is also popular. Christian music is heavily influenced by its counterpart in United States regardless of region. Islamic nasheeds popular in many countries with Muslim communities are almost unheard of in Liberia. Instead, music for Liberian Muslims are based on Quranic citations, adhan and music related to everyday life called suku. Aside from religious and traditional music, rap and HiLife are widely popular especially with younger Liberians and American music aficionados. Both can be heard in discothèques, parties, clubs and on radios throughout the country. Jazz, funk, soul, rap and a new music style or Liberian rap called Hipco combining rap, R&B, traditional rhymes, and joint Liberian and American influences are part of the wider Music of Liberia.
Read more about this topic: Culture Of Liberia
Famous quotes containing the word music:
“Thy remembrance, and repentance, and deep musings are not free
From the music of two voices and the light of one sweet smile.”
—Percy Bysshe Shelley (1792–1822)
“I’ve come close to matching the feeling of that night in 1944 in music, when I first heard Diz and Bird, but I’ve never got there.... I’m always looking for it, listening and feeling for it, though, trying to always feel it in and through the music I play every day.”
—Miles Davis (1926–1991)
“The first condition for making music is not to make a noise.”
—José Bergamín (1895–1983)