Culture of Italy - History

History

See also: Western culture

Italy is the wellspring of Western civilization and has been a world crossroads for over 2,000 years. Continuous learning, creativity, and technological advancement on the Italian peninsula have shaped virtually every aspect of Western culture.

Though its archaeological record stretches back tens of thousands of years, Italian history begins with the Etruscans, an ancient civilization that rose between the Arno and Tiber rivers. The Etruscans were supplanted in the 3rd century BC by the Romans, who soon became the chief power in the Mediterranean world and whose empire stretched from India to Scotland by the 2nd century AD. The empire influenced the government, the arts, and the architecture of many later groups of people.

With Emperor Constantine's conversion to Christianity in 312, Rome became the open and official seat of the Catholic Church, and Italy has had a profound effect on the development of Christianity and of Western concepts of faith and morality ever since. Like the other works of Christian charity, the care of the sick was from the beginning a sacred duty for each of the faithful, but it devolved in a special way upon the bishops, presbyters, and deacons. According to historian William Lecky, the hospitals were unknown before Christianity. After the fall of Rome in the AD 400s, the Italian peninsula was divided among many different rulers. However, the Eastern emperors, residing at Constantinople, never renounced their claim to Italy and to succession to the West.

During the Middle Ages, which lasted from about the AD 400s through the 1400s, the Roman Catholic Church replaced the Roman Empire as the unifying force in Europe. It used the Latin language and preserved the classics of Latin literature. In addition, the influence of the Church on the spread of literacy, has had a significant impact on European society. Günther S. Wegener has carefully documented the correlation between Bible translation and the spread of literacy in European languages. In fact, during the Middle Ages, the most important branch of learning was theology (the study of God). This new intellectual approach has been called Scholasticism. Italy, in virtue of this, became a seat of great formal learning in 1088 with the establishment of the University of Bologna, the first university in Europe. Other Italian universities soon followed. About the same time, Italy saw the rise of the Maritime Republics.

In Italy medieval communes were sworn associations of townsmen that arose during the 11th century to overthrow the rule of the local bishop or feudal magnates. The communal experience of medieval Italy was somehow salient for the origins of modern democracy. Many cities — especially Florence, Genoa, Pisa, Milan, and Venice — became powerful and independent city-states. An intellectual revival, stimulated in part by the freer atmosphere of the cities and in part by the rediscovery of ancient Greek and Latin writings, gave rise to the humanist attitudes and ideas that formed the basis of the Renaissance.

Renaissance period saw a rebirth of many interests, particularly in the arts. By the early 15th century, in Florence, a circle of architects, painters, and sculptors have sought to revive classical art. The leader of this group was an architect, Filippo Brunelleschi. He designed churches reflecting classical models. To him we also owe a scientific discovery of the first importance in the history of art: the rules of perspective. In painting, Leonardo da Vinci and other Italian painters used a technique called sfumato that created softness in their portraits. At the same time, Italy witnessed the revival of the fresco. In music, both the small-scale madrigal and the large-scale opera were inventions of the period with a long future. Italian cities invented the modern conservatory to train professional musicians, as they invented the art academy as a place to master the techniques and the theory of painting, sculpture, and architecture. Rome and Venice witnessed the emergence of the first art "market" where buyers and sellers exchanged artworks as commodities.

It was no accident that the origin of the European system of banks was born in Renaissance Italy. By the 1430s, the Medici family dominated the ruling class of Florence. The family controlled the largest bank in Europe and was headed by a series of talented and ambitious men. Under Medici domination, the Florentine republic in some ways resembled a signorial government.

Some of the greatest explorers of the late 1400s and early 1500s were Italians exposed to the traditions of the Renaissance. Christopher Columbus — like such other Italian explorers as John Cabot, Giovanni da Verrazzano, and Amerigo Vespucci — was willing to take enormous risks to achieve results that people had never dreamed of. In a sense, Columbus's arrival in America in 1492 was one of the greatest achievements of the Renaissance.

In general terms, the Baroque era is sometimes called the era of genius, since it was at this time in history that the scientific revolution that established the foundations of modern science was launched. In the pantheon of the scientific revolution, Galileo Galilei takes a high position because of his pioneering use of quantitative experiments with results analyzed mathematically.

The intellectual dynamism in 18th century Italy was considerable, across the gamut of genres. Italian elites became conversant with French Enlightenment principles and with English ideas, too, spread by young aristocrats on the grand tour. By the 1760s and 1770s, the Italian authors who were members of academies and contributors to philosophical and literary journals began to disseminate their ideas close to the realm of power in Milan and Turin, Parma and Modena, Florence and Naples. Inspired by Cesare Beccaria's theses — on liberal ideas and humanitarian sentiments — the Grand Duchy of Tuscany was the first state in the world to abolish the death penalty in 1786. Italy continued its leading cultural role through the Romantic period, when its dominance in painting and sculpture diminished and it reestablished a strong presence in music.

Italian artists have been quite influential in the 20th century, and some of the Italian exponents of Modernism in the 1920s and 1930s continue to have a strong presence in the international contemporary art market. Known in many circles as the father of the Atomic Age, Enrico Fermi was an Italian who bore witness to the discovery, control, and use of atomic power. Following World War II, Italian neorealism became an important force in motion pictures, and by the 1960s, Italy had established itself as one of a handful of great European film cultures. Today Italy is one of the international leaders in fashion and design.

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Famous quotes containing the word history:

    History has neither the venerableness of antiquity, nor the freshness of the modern. It does as if it would go to the beginning of things, which natural history might with reason assume to do; but consider the Universal History, and then tell us,—when did burdock and plantain sprout first?
    Henry David Thoreau (1817–1862)

    In history as in human life, regret does not bring back a lost moment and a thousand years will not recover something lost in a single hour.
    Stefan Zweig (18811942)

    Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under men’s reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.
    John Dos Passos (1896–1970)