Television and Film
Baltimore has become a prime city for filming movies and television shows. Many movies were filmed in Baltimore, one notable one being ...And Justice for All (movie) which depicts an honest young attorney coming to grips with a corrupt legal system. Additionally, television shows such as NBC's Homicide: Life on the Street and HBO's The Wire and The Corner have also been set and filmed in the city.
Barry Levinson, a Baltimore native and filmmaker, made many Baltimore-based films, including: Diner, Avalon, Tin Men, and Liberty Heights.
Another Baltimore native and filmmaker, John Waters, makes subversive films that glamorize the less socially acceptable side of the city's culture. Many scenes from the 1972 cult classic film Pink Flamingos were shot in the city's Waverly and Hampden neighborhoods. Pink Flamingos was the most popular of Waters' cult films. In 1981, Waters released the more mainstream Polyester with "Odorama" and went on to make Cecil B. Demented, Cry-baby, Pecker, and Serial Mom.
To date, Hairspray, Waters' tribute to Buddy Deane Show-era Baltimore, has been his most successful commercial effort. He released Hairspray as a film in 1988. In 2002, Hairspray was produced as a stage musical. In 2007, a new version of Hairspray was released as a film. Soundtracks for both films and the musical have also proven popular. Waters is currently in the works of making a sequel to Hairspray.
In addition to works filmed in Baltimore, the city is also home to the Maryland Film Festival, an annual film and video festival of international scope that takes place each May, using the historic Charles Theatre as its anchor venue.
For a more comprehensive list, see Filmed in Baltimore.Read more about this topic: Culture Of Baltimore
Famous quotes containing the words television and/or film:
“Never before has a generation of parents faced such awesome competition with the mass media for their children’s attention. While parents tout the virtues of premarital virginity, drug-free living, nonviolent resolution of social conflict, or character over physical appearance, their values are daily challenged by television soaps, rock music lyrics, tabloid headlines, and movie scenes extolling the importance of physical appearance and conformity.”
—Marianne E. Neifert (20th century)
“[Film noir] experiences periodic rebirth and rediscovery. Whenever we have any moment of deep societal rift or disruption in America, one of the ways we can express it is through the ideas and behavior in film noir.”
—John Briley (b. 1925)