Television and Film
Baltimore has become a prime city for filming movies and television shows. Many movies were filmed in Baltimore, one notable one being ...And Justice for All (movie) which depicts an honest young attorney coming to grips with a corrupt legal system. Additionally, television shows such as NBC's Homicide: Life on the Street and HBO's The Wire and The Corner have also been set and filmed in the city.
Barry Levinson, a Baltimore native and filmmaker, made many Baltimore-based films, including: Diner, Avalon, Tin Men, and Liberty Heights.
Another Baltimore native and filmmaker, John Waters, makes subversive films that glamorize the less socially acceptable side of the city's culture. Many scenes from the 1972 cult classic film Pink Flamingos were shot in the city's Waverly and Hampden neighborhoods. Pink Flamingos was the most popular of Waters' cult films. In 1981, Waters released the more mainstream Polyester with "Odorama" and went on to make Cecil B. Demented, Cry-baby, Pecker, and Serial Mom.
To date, Hairspray, Waters' tribute to Buddy Deane Show-era Baltimore, has been his most successful commercial effort. He released Hairspray as a film in 1988. In 2002, Hairspray was produced as a stage musical. In 2007, a new version of Hairspray was released as a film. Soundtracks for both films and the musical have also proven popular. Waters is currently in the works of making a sequel to Hairspray.
In addition to works filmed in Baltimore, the city is also home to the Maryland Film Festival, an annual film and video festival of international scope that takes place each May, using the historic Charles Theatre as its anchor venue.
For a more comprehensive list, see Filmed in Baltimore.Read more about this topic: Culture Of Baltimore
Famous quotes containing the words television and, television and/or film:
“His [O.J. Simpson’s] supporters lined the freeway to cheer him on Friday and commentators talked about his tragedy. Did those people see the photographs of the crime scene and the great blackening pools of blood seeping into the sidewalk? Did battered women watch all this on television and realize more vividly than ever before that their lives were cheap and their pain inconsequential?”
—Anna Quindlen (b. 1952)
“The technological landscape of the present day has enfranchised its own electorates—the inhabitants of marketing zones in the consumer goods society, television audiences and news magazine readerships... vote with money at the cash counter rather than with the ballot paper at the polling booth.”
—J.G. (James Graham)
“A good film script should be able to do completely without dialogue.”
—David Mamet (b. 1947)