Culture During The Cold War - Arts

Arts

The United States and the Soviet Union engaged in a competition in the arts as well, mainly in ballet. The Americans and the Soviets would send previews of their country's ballets to prove their superiority. In America, this caused a dramatic increase in government funding. In both countries, ballet was turned into powerful political propaganda, and they used dance to reflect life style in the "battle for the hearts and minds of men."

Jazz was also a useful tool for the United States State Department to show off the United States democracy, as jazz was a democratic music form, free flowing and improvised. Jazz tours of the Soviet Union were organized in 1956, and lasted through the 1970s.

Along with ballet, the two countries also competed in such things as theatre, chess, and even who could reach the moon first. As well when it came to sports the two countries both competed in the Olympics during the Cold War period which also created a lot of hostilities. David Caute, author of "The Dancer Defects", goes into detail each nation and how they could have "won" the cultural war. He ends up not nearly as much as declaring a winner, but more so looks into how each nation both had its great strengths. Russia excelled with plays, and was well known for its ballet. Whereas the West (United States in this case) showed a lot of power in technology, and the famous chess player Bobby Fischer.

Stephen J. Whitfield writes in his article titled The Cultural Cold War As History that these two nations were not fighting their cultures against each other, but more onto their own citizens. As well that many things that were going on during the Cold War were purely done as an intent to create fear among African Americans, especially within the United States.

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Famous quotes containing the word arts:

    The great end of all human industry is the attainment of happiness. For this were arts invented, sciences cultivated, laws ordained, and societies modelled, by the most profound wisdom of patriots and legislators. Even the lonely savage, who lies exposed to the inclemency of the elements and the fury of wild beasts, forgets not, for a moment, this grand object of his being.
    David Hume (1711–1776)

    Women hock their jewels and their husbands’ insurance policies to acquire an unaccustomed shade in hair or crêpe de chine. Why then is it that when anyone commits anything novel in the arts he should be always greeted by this same peevish howl of pain and surprise? One is led to suspect that the interest people show in these much talked of commodities, painting, music, and writing, cannot be very deep or very genuine when they so wince under an unexpected impact.
    John Dos Passos (1896–1970)

    In a very ugly and sensible age, the arts borrow, not from life, but from each other.
    Oscar Wilde (1854–1900)