Film
- Churchill: The Hollywood Years (2004) - Christian Slater
- Paradox (2010) - Alan C. Peterson
- The King's Speech (2010) - Timothy Spall
- Into the Storm (2009) - Brendan Gleeson, for HBO
- Inglourious Basterds (2009) - Rod Taylor
- I Am Bob (2007) - Ian Beyts
- Allegiance (2005) - Mel Smith
- The Virgin of Liverpool (2003) - Paul Barber (uncredited)
- Two Men Went to War (2002) - David Ryall
- Operación gónada (2000) - Craig Stevenson
- Shaheed Uddham Singh: Alais Ram Mohammad Singh Azad (2000) - Joe Lamb
- Caro dolce amore (1994) - John Evans
- Casablanca Express (1989) - John Evans
- Jane and the Lost City (1987) - Richard Huggett
- Katastrofa w Gibraltarze (1984) - Wlodzimierz Wiszniewski
- Bourreau des coeurs, Le (1983) - René Douglas
- Sekret Enigmy (1979) - Józef Zacharewicz
- Picassos äventyr (1978) - Sune Mangs
- The Eagle Has Landed (1976) - Leigh Dilley
- Young Winston (1972) - Simon Ward
- Liberation (1970) - Yuri Durov
- Operation Crossbow (1965) - Patrick Wymark
- A King's Story (1965) - Patrick Wymark (voice only)
- The Finest Hours (1964) - Patrick Wymark (adult Churchill, voice only)/ George Westbury (young Churchill, voice only)
- The Siege of Sidney Street (1960) - Jimmy Sangster (uncredited)
- The Man Who Never Was (1956) - Peter Sellers (voice only, uncredited)
- Above Us the Waves (1955) - Peter Cavanagh (voice only, uncredited)
- Nezabyvaemyy god 1919 (1952) - Viktor Stanitsyn
- Due mogli sono troppe (1950) - Pietro Meloni
- Stalingradskaya bitva I (1949) - Viktor Stanitsyn
- Mission to Moscow (1943) - Dudley Field Malone
- Captains of the Clouds (1942) - Miles Mander (voice only)
- Royal Cavalcade (1935) - C.M. Hallard
Read more about this topic: Cultural Depictions Of Winston Churchill
Famous quotes containing the word film:
“This film is apparently meaningless, but if it has any meaning it is doubtless objectionable.”
—British Board Of Film Censors. Quoted in Halliwell’s Filmgoer’s Companion (1984)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)