Criticism of religion is criticism of the concepts, doctrines, validity, and/or practices of religion, including associated political and social implications.
Religious criticism has a long history. It goes at least as far back as the 5th century BCE in ancient Greece with Diagoras "the atheist" of Melos, and the 1st century BCE in ancient Rome with Titus Lucretius Carus' De Rerum Natura. It continues to the present day with the advent of New Atheism, represented by authors and journalists such as Sam Harris, Daniel Dennett, Richard Dawkins, Victor J. Stenger, and the late Christopher Hitchens. Alternatively, "religious criticism" has been used by the literary critic Harold Bloom to describe a mode of religious discussion that is secular but not inherently anti-religion. Criticism of religion is complicated by the fact that there exist multiple definitions and concepts of religion in different cultures and languages. With the existence of diverse categories of religion such as monotheism, polytheism, pantheism, nontheism and diverse specific religions such as Christianity, Judaism, Islam, Taoism, Buddhism, and many others; it is not always clear to whom the criticisms are aimed at or to what extent they are applicable to other religions.
Critics often consider religion to be outdated, harmful to the individual, harmful to society, an impediment to the progress of science, encouraging of immoral acts or customs, and a political tool of social control.
Read more about Criticism Of Religion: History, Recent Times, Criticism of Religious Concepts, Harm To Individuals, Harm To Society, Corrupt Purposes of Leaders
Famous quotes containing the words criticism of, criticism and/or religion:
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)
“‘Tis probable Religion after this
Came next in order; which they could not miss.
How could the Dutch but be converted, when
The Apostles were so many fishermen?
Besides the waters of themselves did rise,
And, as their land, so them did re-baptize.”
—Andrew Marvell (1621–1678)