The Creative Cities Network is a project under the patronage of UNESCO. With the aim of celebrating and maintaining cultural diversity, the alliance formed by member cities share their experiences in promoting the local heritage, as well as discuss plans on how to cope with the influx of globalization. The Creative Cities Network aims to find and enrich a member city’s cultural identity in the midst of a growing trend towards internationalism.
The project focuses on the main product of excellence of these cities, and finds ways to maintain its relevance in city life, local economy and social development. The fields of excellence are classified among: Literature, Film, Music, Craft and Folk Art, Design, Media Arts, and Gastronomy.
Despite the general knowledge that change (towards modernity) is generated from urbanization, the Network aims to adapt and harness the proliferation of technology and social development to further a city’s product of excellence. In doing so, the city becomes a center for the protection of a past industry and its eventual preservation.
Famous quotes containing the words creative, cities and/or network:
“What if all the forces of society were bent upon developing [poor] children? What if society’s business were making people instead of profits? How much of their creative beauty of spirit would remain unquenched through the years? How much of this responsiveness would follow them through life?”
—Mary Heaton Vorse (1874–1966)
“In great cities men are brought together by the desire of gain. They are not in a state of co-operation, but of isolation, as to the making of fortunes; and for all the rest they are careless of neighbours. Christianity teaches us to love our neighbour as ourself; modern society acknowledges no neighbour.”
—Benjamin Disraeli (1804–1881)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)