Crash Twinsanity - Reception

Reception

Reception
Aggregate scores
Aggregator Score
GameRankings (Xbox) 68.84%
(PS2) 66.20%
Metacritic (Xbox) 66/100
(PS2) 64/100
Review scores
Publication Score
1UP.com B
Electronic Gaming Monthly 3.5/10
Eurogamer 7/10
Game Informer 6/10
GamePro 7.5/10
GameSpot (Xbox) 7.4/10
(PS2) 7.3/10
GameZone (Xbox) 7.5/10
(PS2) 6.9/10
IGN 7.7/10
Official PlayStation Magazine (US) 5/10
Official Xbox Magazine 7.3/10
PSM 6/10
Play Magazine 8.3/10
Team Xbox 7.5/10

Crash Twinsanity received mixed to positive reviews from critics upon release. Play Magazine declared that "Traveller's Tales has delivered a 60 frame/s cartoon epic without sacrificing expanse, dwarfing boss encounters or vivid effects by skillfully balancing model and environment integrity with performance." James B. Pringle of IGN said that "Publisher Vivendi Universal and developer Traveller's Tales have infused so much humor and likeability into the game that you will literally laugh out loud. You'll look forward to defeating each boss not just because you're that much closer to beating the game, but to witness some of the best in-game dialogue and funniest voice acting around."

Andrew Wooldridge of 1UP.com said the game "is funny, fun to play, and is a definite improvement on the claustrophobic linear levels of games past." Chris Stead of GamePro described the game as "great fun for our gaming youth and a humorous piece of nostalgia for veterans keen to spank their bandicoots, one last time." Brent Soboleski of TeamXbox crowned the game as "one of the best Crash titles to have been released since its earliest inception on home consoles, and its creative use of combining past enemies as partners is what gives Twinsanity a new lease on life." Nick Valentino of GameZone said that the game "rises above the game's original roots to bring a game that's both refreshingly humorous as well as downright enjoyable."

However, Louis Bedigian of the same site described the game as "double the insanity for all you psychopath-loving gamers out there, but it's half the fun for gamers." Ryan Davis of GameSpot concluded that "it's a little rough around the edges, and it doesn't break new ground for 3D platformers, but it gives the series the shot in the arm that Wrath of Cortex failed to, and what it does, it does pretty well." Official Xbox Magazine declared that "even if you're frustrated by dying on a jump for the 50th time, you'll still think it's funny as hell." Kristan Reed of Eurogamer said that "the gameplay variation is there for all to see, and when it hits the mark it — believe it or not — is every bit as enjoyable as the very best the genre has to offer, with some true high points to look back on."

PSM Magazine praised the graphics and controls but criticized the level design, saying that it was "designed to kill the player in as many cheap ways as possible." A reviewer for Game Informer finished with "While it pains me to say this, maybe Crash should make like the entire cast of Blossom and disappear." Official U.S. PlayStation Magazine described the game as "a bummer" and "a tragic tale of missed opportunities, as a funny, engaging platformer shines through the me-too muck." Electronic Gaming Monthly decided that "the funny writing (courtesy of an ex-Ren & Stimpy scribe) can't save this uninspired rehash of antiquated Crash antics with lackluster visuals."

Read more about this topic:  Crash Twinsanity

Famous quotes containing the word reception:

    To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.
    Ralph Waldo Emerson (1803–1882)

    Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.
    Rémy De Gourmont (1858–1915)

    He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!
    Billy Wilder (b. 1906)