Crash Landing (Jimi Hendrix Album) - Original Recording Details and Wiped Backing Musicians

Original Recording Details and Wiped Backing Musicians

  • Track 1 recorded at the Record Plant in New York City, New York on December 19, 1969.
  • Track 2 recorded at the Sound Center in New York City, New York on March 13, 1968. Wiped: Stephen Stills - bass, Mitch Mitchell - drums
  • Track 3 recorded at the Record Plant in New York City, New York on April 24, 1969. Wiped: Billy Cox - bass. Rocky Isaacs* - drms, Al Marks* and Chris Grimes* - perc. & - org. (*from the group, the Cherry People)
  • Track 4 recorded at Electric Lady Studios in New York City, New York on July 15, 1970. Wiped: Billy Cox - bass, Mitch Mitchell - drums
  • Track 5 recorded at TTG Studios in Los Angeles, California on October 24, 1968. Wiped: Noel Redding - bass, Mitch Mitchell - drums
  • Track 6 basic track recorded at the Record Plant in New York City, New York on January 21, 1970.
  • Track 7 recorded at the Record Plant in New York City, New York on April 7-9, overdubs inc. backing vocals on April 14, 1969. Wiped: Noel Redding - bass, Mitch Mitchell - drums, Roger Chapman & Andy Fairweather Lowe - backing vocals.
  • Track 8 (unknown to Douglas) was a composite of three different bits, of unrelated tracks put together posthumously in 1973 by John Jansen. These were variously recorded at Electric Lady, NYC, in July/August 1970; at Record Plant, NYC, January 23 1970; and at TTG Studios, Los Angeles, Ca. on October 23, 1968. Douglas added overdubs to Jansen's original

Read more about this topic:  Crash Landing (Jimi Hendrix Album)

Famous quotes containing the words original, recording, details, wiped, backing and/or musicians:

    The salary cap ... will be accepted about the time the 13 original states restore the monarchy.
    Tom Reich, U.S. baseball agent. New York Times, p. 16B (August 11, 1994)

    Write while the heat is in you.... The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.
    Henry David Thoreau (1817–1862)

    If my sons are to become the kind of men our daughters would be pleased to live among, attention to domestic details is critical. The hostilities that arise over housework...are crushing the daughters of my generation....Change takes time, but men’s continued obliviousness to home responsibilities is causing women everywhere to expire of trivialities.
    Mary Kay Blakely (20th century)

    What a lesson here for our world. One blast, thousands of years of civilization wiped out.
    Kurt Neumann (1906–1958)

    Better risk loss of truth than chance of error—that is your faith-vetoer’s exact position. He is actively playing his stake as much as the believer is; he is backing the field against the religious hypothesis, just as the believer is backing the religious hypothesis against the field.
    William James (1842–1910)

    As if the musicians did not so much play the little phrase as execute the rites required by it to appear, and they proceeded to the necessary incantations to obtain and prolong for a few instants the miracle of its evocation, Swann, who could no more see the phrase than if it belonged to an ultraviolet world ... Swann felt it as a presence, as a protective goddess and a confidante to his love, who to arrive to him ... had clothed the disguise of this sonorous appearance.
    Marcel Proust (1871–1922)