Production
Columbia Pictures originally wanted to used Warner Bros. star Dennis Morgan for Cover Girl, but when Kelly's project at MGM, Dragon Seed, was postponed, MGM extended their loan of Kelly to Columbia, allowing this film to be made with him. Columbia's production head, Harry Cohn, was initially opposed to having Kelly do the film, but producer Schwartz nevertheless obtained him, promising Kelly that he would be able to choreograph, which MGM had not allowed him to do.
Columbia gave Kelly almost complete control over the making of this film, and many of his ideas contributed to its lasting success. He removed several of the soundstage walls so that he, Hayworth, and Silvers could dance along an entire street in one take. He also used trick photography so that he could dance with his own reflection in the sequence "Alter-Ego Dance", achieved using superimposition to give his "double" a ghost-like quality. Kelly, along with Stanley Donen, devised his own choreography.
The film was Hayworth's third musical: the first two she had done opposite Fred Astaire. Hayworth's singing voice was dubbed by Martha Mears.
Cover Girl was Columbia's first Technicolor musical, and songwriter Arthur Schwartz's first venture into producing. The film was a big hit, and made stars out of both Hayworth and Kelly. The success of Cover Girl caused MGM to pay closer attention to Kelly as a viable property, and they allowed him to create his own dance numbers for his next film, Anchors Aweigh, also starring Frank Sinatra. Columbia bought the film rights to Pal Joey, which Kelly had done on Broadway, hoping to pair up Kelly and Hayworth again, but MGM refused to loan him out, and instead the film was made with Sinatra playing the lead.
Read more about this topic: Cover Girl (film)
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—Friedrich Engels (1820–1895)