"Counting Bodies Like Sheep to the Rhythm of the War Drums" is the tenth track on the album eMOTIVe by the American rock band A Perfect Circle. While the rest of the album is filled with covers of songs by earlier artists such as John Lennon, "War Drums" is often regarded as a remix of "Pet", from the previous album, Thirteenth Step. However, on the aMOTION DVD commentary, Maynard James Keenan states that it is a second part of "Pet", a continuation. While the former refers to addiction, "War Drums" focuses on a political agenda. Mixed by Danny Lohner, the music is completely electronic and without any guitars, unlike "Pet". The song was used in trailers for the films Fantastic Four (2005) and The Taking of Pelham 123 (2009), the launch trailer for the video game Rage (2011) and ads for the TV series Missing (2012).
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Famous quotes containing the words counting, bodies, sheep, rhythm, war and/or drums:
“If all power is in the people, if there is no higher law than their will, and if by counting their votes, their will may be ascertained—then the people may entrust all their power to anyone, and the power of the pretender and the usurper is then legitimate. It is not to be challenged since it came originally from the sovereign people.”
—Walter Lippmann (1889–1974)
“For women ... bras, panties, bathing suits, and other stereotypical gear are visual reminders of a commercial, idealized feminine image that our real and diverse female bodies can’t possibly fit. Without these visual references, each individual woman’s body demands to be accepted on its own terms. We stop being comparatives. We begin to be unique.”
—Gloria Steinem (b. 1934)
“I’m hurt, hurt and humiliated beyond endurance, seeing the wheat ripening, the fountains never ceasing to give water, the sheep bearing hundreds of lambs, the she-dogs, until it seems the whole country rises to show me its tender sleeping young while I feel two hammer-blows here instead of the mouth of my child.”
—Federico García Lorca (1898–1936)
“The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.”
—Federico García Lorca (1898–1936)
“High on a throne of royal state, which far
Outshone the wealth of Ormus and of Ind,
Or where the gorgeous East with richest hand
Show’rs on her kings barbaric pearl and gold,
Satan exalted sat, by merit raised
To that bad eminence; and, from despair
Thus high uplifted beyond hope, aspires
Beyond thus high, insatiate to pursue
Vain war with Heav’n, and by success untaught,
His proud imaginations”
—John Milton (1608–1674)
“Signal smokes, war drums, feathered bonnets against the western sky. New messiahs, young leaders are ready to hurl the finest light cavalry in the world against Fort Stark. In the Kiowa village, the beat of drums echoes in the pulsebeat of the young braves. Fighters under a common banner, old quarrels forgotten, Comanche rides with Arapaho, Apache with Cheyenne. All chant of war. War to drive the white man forever from the red man’s hunting ground.”
—Frank S. Nugent (1908–1965)