Count Floyd - The Concept

The Concept

As originally conceived, Count Floyd was the alter-ego of another SCTV character: Floyd Robertson, co-anchor of the SCTV News sketch. (The name was a joke based on that of CTV National News host, Lloyd Robertson, but other than the name and occupation, Floyd Robertson bears no real resemblance to the real-life Canadian news anchor.).

The premise was that employees at this very low-budget TV station had to double up on jobs, so news anchor Floyd Robertson was also the host of SCTV’s Monster Chiller Horror Theater, wearing a cheap vampire costume and speaking in a bad stereotypical Transylvanian vampire accent. Oddly, although he was supposed to be a vampire, he would also open each show howling like a werewolf, presumably indicating that Floyd Robertson had only the vaguest of idea what a vampire was. Near the end of a howl, he would break off disarmingly into a weak chuckle.

Although a parody of the typical 1950s and 1960s local TV horror hosts, the real-life hosts were often themselves so silly and “over the top” that Count Floyd was not really too far off the mark.

The name Monster Chiller Horror Theater was taken from the Chiller Theater, a longtime local horror film show on WIIC (now WPXI) television in Pittsburgh, Joe Flaherty's hometown. While host Bill Cardille aka "Chilly Billy" was nothing like Count Floyd, his Dracula-like persona may have been based on another Pittsburgh TV horror show host. The 1958-59 Friday night program "The Thirteenth Hour," broadcast over KDKA-TV Channel 2 featured the vampire-like "Igor," actually KDKA staff announcer George Eisenhauer whose costume bore no small resemblance to Count Floyd's.

Occasionally, Count Floyd would be joined by a vampire-caped sidekick known as The Pittsburgh Midget, played by Flaherty's brother Paul Flaherty, an obvious counterpart to diminutive Stefan, the Castle Prankster, played by Stephen Michael Luncinski on Chiller Theater.

Read more about this topic:  Count Floyd

Famous quotes containing the word concept:

    The nearer a conception comes towards finality, the nearer does the dynamic relation, out of which this concept has arisen, draw to a close. To know is to lose.
    —D.H. (David Herbert)

    Every new concept first comes to the mind in a judgment.
    Charles Sanders Peirce (1839–1914)