Character Role
Critics have often considered Cosette to be something of an empty figure, with no real independent character apart from the role she plays in the lives of others: as an innocent child-victim; daughter to be protected (for Fantine and Valjean); and object of adoration (for Marius). Stephanie Barbé Hammer writes that "Having served her function as a paternalizing figure, Cosette grows up into a silent, beautiful cipher". She has the same, but reverse, role as an object of jealousy and hatred for the villainous characters. As Kathryn M. Grossman remarks, she brings out the "hatred of humanity" that is typical of Hugo's villains. When Mme Thénardier sees that the grown-up Cosette has become a "well-off and radiant young woman, Mme Thénardier responds viscerally, "I'd like to kick open her belly"."
Cosette is also portrayed as largely sexless. Mario Vargas Llosa says of her relationship to Marius,
Now the love between these two is completely ethereal; the sex drive has been surgically removed so that their relationship can be purely one of feeling. Before the wedding the young people exchange one kiss, which is not repeated because, as the narrator says, neither Marius nor Cosette was aware of the existence of carnal desire.... The dialogue between these two virtuous lovers is as unreal as their amorous behavior. For this reason, the episodes where the two lovers talk to each other are the most artificial moments in the novel.
George Saintsbury calls her "merely a pretty and rather selfish little doll".
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