Art
Perhaps unfashionably for a 20th century painter, Baba consciously worked in the tradition of the Old Masters, although, from the outset of his studies with his father, he was also influenced by expressionism, art nouveau, academicism and "remnants" of impressionism. Baba himself cited El Greco, Rembrandt, and Goya as particularly strong influences. This did not put him in good stead either with the official Socialist realism of the Eastern bloc (where, especially in the early Communist years, he periodically received damning criticism—and sometimes punishment, such as being suspended from teaching—for his "formalism").
Nearly all of Corneliu Baba's work remains in Romania; hardly a major museum in that country is without some of his work. Among his notable works are a 1952 portrait of Mihail Sadoveanu (now in Bucharest's National Art Museum) and a 1957 portrait of Krikor Zambaccian, (now in the Zambaccian Museum, also in Bucharest). One of his few pieces on public display outside of Romania is a rather impressionistic 1977-79 group scene entitled Fear, (one of several in a "Fears" series) in the Szépművészeti Museum in Budapest.
Throughout the 1970s and 1980s, Baba did an extensive series of paintings of Harlequins and "Mad Kings",; most of the latter remained in the artist's personal collection until his death, much as with Francisco Goya and his "black paintings".
Read more about this topic: Corneliu Baba
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“Truly, My Satan, thou art but a Dunce,
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—William Blake (1757–1827)
“It is the business of thought to define things, to find the boundaries; thought, indeed, is a ceaseless process of definition. It is the business of Art to give things shape. Anyone who takes no delight in the firm outline of an object, or in its essential character, has no artistic sense.... He cannot even be nourished by Art. Like Ephraim, he feeds upon the East wind, which has no boundaries.”
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