Corey Haim - Film and Television Credits

Film and Television Credits

Film
Year Title Role Notes
1984 Firstborn Brian Livingston
1985 Secret Admirer Jeff
1985 Silver Bullet Marty Coslaw
1985 Murphy's Romance Jake Moriarty
1986 Lucas Lucas Bly
1987 Lost Boys, TheThe Lost Boys Sam Emerson
1988 License to Drive Les Anderson
1988 Watchers Travis Cornell
1989 Dream a Little Dream Dinger
1990 Prayer of the Rollerboys Griffin
1991 Fast Getaway Nelson
1991 Dream Machine Barry Davis
1992 Blown Away Rich
1992 Double 0 Kid, TheThe Double 0 Kid Lance Elliot Direct-to-video
1992 Oh, What a Night Eric Direct-to-video
1993 Anything for Love Chris Calder also known as Just One of the Girls
1994 National Lampoon's Last Resort Dave Direct-to-video
1994 Fast Getaway II Nelson Potter Direct-to-video
1995 Dream a Little Dream 2 Dinger Holfield Direct-to-video
1995 Life 101 Ramsy Direct-to-video
1996 Fever Lake Albert Direct-to-video
1996 Shooter on the Side
1996 Snowboard Academy Chris Barry
1996 Demolition High Lenny Slater Direct-to-video
1997 Demolition University Lenny Slater Direct-to-video
1997 Never Too Late Max
1997 Busted Clifford Direct-to-video
2002 Back Lot Murders, TheThe Back Lot Murders Tony Direct-to-video
2007 Universal Groove Jim
2008 Lost Boys: The Tribe Sam Emerson Direct-to-video
2009 Crank: High Voltage Randy
2009 Shark City Chip Davis
2009 New Terminal Hotel Jasper Crash
2009 American Sunset Tom Marlow
2010 Decisions Det. Lou Andreas
Television
Year Title Role Notes
1984–
1985
Edison Twins, TheThe Edison Twins Larry 26 episodes
1985 Time to Live, AA Time to Live Peter Weisman Television film
1987 Roomies Matthew Wiggins Eight episodes
1998 Psi Factor: Chronicles of the Paranormal Research Project Intern Episode: "The Egress"
1998 Merlin: The Quest Begins Wilf Television film
2000 Without Malice Marty Television film
2007–
2008
Two Coreys, TheThe Two Coreys Himself 19 episodes

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Famous quotes containing the words film and/or television:

    “If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.”
    —Salman Rushdie (b. 1948)

    “Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
    —Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)