History
When the gallery was founded in 1869 by William Wilson Corcoran, the co-founder of Riggs Bank, it was one of the first fine art galleries in the country. Corcoran established the gallery, supported with an endowment, "for the perpetual establishment and encouragement of the Fine Arts."
The Corcoran Gallery of Art was originally located at 17th Street and Pennsylvania Avenue, in the building that now houses the Renwick Gallery. Construction of that building started before the Civil War. The building, near completion, was used by the government as a warehouse during the Civil War. It was finally completed in 1874 and the gallery opened to the public.
By 1897, the Corcoran Gallery collection outgrew the space of its original building. A new building was constructed, designed by Ernest Flagg in a Beaux-Arts style. The building spans 135,000 square feet (12,500 m²). A proposed addition by Frank O. Gehry would have more than doubled the museum's size, but the plan was scrapped due to funding problems in the summer of 2005.
The museum and its affiliated art and design college Corcoran College of Art and Design together have a staff of about 185 and an operating budget of about $20 million. Revenue comes from various sources, including grants and contributions, admissions fees, tuition, membership dues, gift shop and restaurant sales, and an endowment currently worth around $30 million. In February 2001, two AOL executives (Robert W. Pittman and Barry Schuler) and their wives donated $30 million to the museum, its largest single donation since its founding.
Read more about this topic: Corcoran Gallery Of Art
Famous quotes containing the word history:
“The greatest horrors in the history of mankind are not due to the ambition of the Napoleons or the vengeance of the Agamemnons, but to the doctrinaire philosophers. The theories of the sentimentalist Rousseau inspired the integrity of the passionless Robespierre. The cold-blooded calculations of Karl Marx led to the judicial and business-like operations of the Cheka.”
—Aleister Crowley (18751947)
“The principal office of history I take to be this: to prevent virtuous actions from being forgotten, and that evil words and deeds should fear an infamous reputation with posterity.”
—Tacitus (c. 55c. 120)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)