Coppa Italia - Winners By Year

Winners By Year

Coppa Italia
  • 1922–00 – Vado (1)
  • 1935–36 – Torino (1)
  • 1936–37 – Genoa (1)
  • 1937–38 – Juventus (1)
  • 1938–39 – Internazionale (1)
  • 1939–40 – Fiorentina (1)
  • 1940–41 – Venezia (1)
  • 1941–42 – Juventus (2)
  • 1942–43 – Torino (2)
  • 1958 – Lazio (1)
  • 1958–59 – Juventus (3)
  • 1959–60 – Juventus (4)
  • 1960–61 – Fiorentina (2)
  • 1961–62 – Napoli (1)
  • 1962–63 – Atalanta (1)
  • 1963–64 – Roma (1)
  • 1964–65 – Juventus (5)
  • 1965–66 – Fiorentina (3)
  • 1966–67 – Milan (1)
  • 1967–68 – Torino (3)
  • 1968–69 – Roma (2)
  • 1969–70 – Bologna (1)
  • 1970–71 – Torino (4)
  • 1971–72 – Milan (2)
  • 1972–73 – Milan (3)
  • 1973–74 – Bologna (2)
  • 1974–75 – Fiorentina (4)
  • 1975–76 – Napoli (2)
  • 1976–77 – Milan (4)
  • 1977–78 – Internazionale (2)
  • 1978–79 – Juventus (6)
  • 1979–80 – Roma (3)
  • 1980–81 – Roma (4)
  • 1981–82 – Internazionale (3)
  • 1982–83 – Juventus (7)
  • 1983–84 – Roma (5)
  • 1984–85 – Sampdoria (1)
  • 1985–86 – Roma (6)
  • 1986–87 – Napoli (3)
  • 1987–88 – Sampdoria (2)
  • 1988–89 – Sampdoria (3)
  • 1989–90 – Juventus (8)
  • 1990–91 – Roma (7)
  • 1991–92 – Parma (1)
  • 1992–93 – Torino (5)
  • 1993–94 – Sampdoria (4)
  • 1994–95 – Juventus (9)
  • 1995–96 – Fiorentina (5)
  • 1996–97 – Vicenza (1)
  • 1997–98 – Lazio (2)
  • 1998–99 – Parma (2)
  • 1999–00 – Lazio (3)
  • 2000–01 – Fiorentina (6)
  • 2001–02 – Parma (3)
  • 2002–03 – Milan (5)
  • 2003–04 – Lazio (4)
  • 2004–05 – Internazionale (4)
  • 2005–06 – Internazionale (5)
  • 2006–07 – Roma (8)
  • 2007–08 – Roma (9)
  • 2008–09 – Lazio (5)
  • 2009–10 – Internazionale (6)
  • 2010–11 – Internazionale (7)
  • 2011–12 – Napoli (4)

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Famous quotes containing the words winners and/or year:

    The two real political parties in America are the Winners and the Losers. The people don’t acknowledge this. They claim membership in two imaginary parties, the Republicans and the Democrats, instead.
    Kurt Vonnegut, Jr. (b. 1922)

    A writer is in danger of allowing his talent to dull who lets more than a year go past without finding himself in his rightful place of composition, the small single unluxurious “retreat” of the twentieth century, the hotel bedroom.
    Cyril Connolly (1903–1974)