In law, a conviction is the verdict that results when a court of law finds a defendant guilty of a crime.
The opposite of a conviction is an acquittal (i.e. "not guilty"). In Scotland and in the Netherlands, there can also be a verdict of "not proven", which counts as an acquittal. There are also cases where the court orders that a defendant not be convicted, despite being found guilty.
For a host of reasons, the criminal justice system is not perfect, and sometimes guilty defendants are acquitted, while innocent people are convicted. Appeal mechanisms mitigate this problem to some extent. An error which results in the conviction of an innocent person is known as a miscarriage of justice.
After a defendant is convicted, the court determines the appropriate sentence as a punishment. Furthermore, the conviction may lead to results beyond the terms of the sentence itself. Such ramifications are known as the collateral consequences of criminal charges.
A minor conviction is considered, in a term, a warning conviction, and it doesn't affect the defendant, but does serve as a warning.
A history of convictions are called antecedents, known colloquially as "previous" in the United Kingdom, and "priors" in the United States and Australia.
The history of convictions also shows that a minor law conviction can be prosecuted as any individuals punishment.
Famous quotes containing the word conviction:
“It is my conviction that women are the natural orators of the race.”
—Eliza Archard Connor, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 9, by Susan B. Anthony and Ida Husted Harper (1902)
“Every man’s task is his life-preserver. The conviction that his work is dear to God and cannot be spared, defends him.”
—Ralph Waldo Emerson (1803–1882)
“The author’s conviction on this day of New Year is that music begins to atrophy when it departs too far from the dance; that poetry begins to atrophy when it gets too far from music; but this must not be taken as implying that all good music is dance music or all poetry lyric. Bach and Mozart are never too far from physical movement.”
—Ezra Pound (1885–1972)