Associations and Professional Organizations
Societies devoted to the care of cultural heritage have been in existence around the world for many years. One early example is the founding in 1877 of the Society for the Protection of Ancient Buildings in Britain to protect the built heritage, this society continues to be active today.
The built heritage was also at the forefront of the growth of member based organizations in the United States for example, founded in 1889, the Richmond, Virginia-based Preservation Virginia (formerly known as the Association for the Preservation of Virginia Antiquities) was the United States' first statewide historic preservation group. In 2003, it changed its name to reflect its wider focus in statewide preservation issues.
Today, professional conservators join and take part in the activities of numerous conservation associations and professional organizations with the wider conservation field, and within their area of specialization.
These organizations exist to "support the conservation professionals who preserve our cultural heritage".
This involves upholding professional standards, promoting research and publications, providing educational opportunities, and fostering the exchange of knowledge among conservators, allied professionals, and the public.
Read more about this topic: Conservation-restoration
Famous quotes containing the words associations and, associations and/or professional:
“There is ... no glamor at banquets—I mean the large formal banquets of big associations and societies. There is only a kind of dignified confusion that gradually unhinges the mind.”
—James Thurber (1894–1961)
“There is ... no glamor at banquets—I mean the large formal banquets of big associations and societies. There is only a kind of dignified confusion that gradually unhinges the mind.”
—James Thurber (1894–1961)
“In European thought in general, as contrasted with American, vigor, life and originality have a kind of easy, professional utterance. American—on the other hand, is expressed in an eager amateurish way. A European gives a sense of scope, of survey, of consideration. An American is strained, sensational. One is artistic gold; the other is bullion.”
—Wallace Stevens (1879–1955)