Romantic Concerto
In the romantic era, the concerto largely narrowed to three genres: the violin concerto, the cello concerto and the piano concerto. Virtually no major composer wrote concertos for wind instruments.
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“The most passionate, consistent, extreme and implacable enemy of the Enlightenment and ... all forms of rationalism ... was Johann Georg Hamann. His influence, direct and indirect, upon the romantic revolt against universalism and scientific method ... was considerable and perhaps crucial.”
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