Concert Film

A concert movie, or concert film, is a type of documentary film, the subject of which is an extended live performance or concert by a musician (or, more recently, by a comedian).

Early concert films include:

  • T.A.M.I. Show (1965), including performances by numerous popular rock and roll and R&B musicians at the Santa Monica Civic Auditorium on October 28 and 29, 1964.
  • Monterey Pop (1968), documenting the Monterey Pop Festival of 1967.
  • Gimme Shelter (1970), chronicling the Rolling Stones' 1969 US tour, which culminated in the disastrous Altamont Free Concert.
  • Woodstock (1970), focusing on the Woodstock Festival in 1969.
  • Sweet Toronto (1971), documenting the rock and roll revival concert in Toronto in September 1969, featuring performances by Bo Diddley, Jerry Lee Lewis, Little Richard and John Lennon and the Plastic Ono Band.
  • Pink Floyd: Live at Pompeii (1972)
  • The Concert for Bangladesh (1972), showing the August 1, 1971 Madison Square Garden concert organized by George Harrison for the benefit of Bangladeshi refugees.
  • Save the Children (1973),
  • Ziggy Stardust and the Spiders from Mars (1973), focusing on David Bowie's July 3, 1973 concert.
  • The London Rock and Roll Show (1973) chronicling a Rock and Roll Revival concert held at Wembley Stadium in London, England in August 1972.
  • Live at the Roxy, 1973 (1973), Frank Zappa's infamously delayed film documenting the performances that later made up his live album Roxy and Elsewhere.
  • The Song Remains the Same (1976), showing scenes from three Led Zeppelin concerts filmed at Madison Square Garden in 1973.
  • The Last Waltz (1978), documenting The Band's final concert at the Winterland Ballroom in San Francisco, on Thanksgiving, November 25, 1976.
  • Stop Making Sense (1984), taking footage from three shows performed by Talking Heads in Hollywood, California in December 1983.

Famous quotes containing the words concert and/or film:

    “Man is head, chest and stomach. Each of these animals operates, more often than not, individually. I eat, I feel, I even, although rarely, think.... This jungle crawls and teems, is hungry, roars, gets angry, devours itself, and its cacophonic concert does not even stop when you are asleep.”
    —René Daumal (1908–1944)

    “Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.”
    —Don Delillo (b. 1926)