History
An early example of an architectural definition of a computer was John Von Neumann's 1945 paper, First Draft of a Report on the EDVAC, which described an organization of logical elements. IBM used this to develop the IBM 701, the company's first commercial stored program computer, delivered in early 1952.
The term “architecture” in computer literature can be traced to the work of Lyle R. Johnson, Muhammad Usman Khan and Frederick P. Brooks, Jr., members in 1959 of the Machine Organization department in IBM’s main research center. Johnson had the opportunity to write a proprietary research communication about Stretch, an IBM-developed supercomputer for Los Alamos Scientific Laboratory. In attempting to characterize his chosen level of detail for discussing the luxuriously embellished computer, he noted that his description of formats, instruction types, hardware parameters, and speed enhancements was at the level of “system architecture” – a term that seemed more useful than “machine organization.”
Subsequently, Brooks, one of the Stretch designers, started Chapter 2 of a book (Planning a Computer System: Project Stretch, ed. W. Buchholz, 1962) by writing, “Computer architecture, like other architecture, is the art of determining the needs of the user of a structure and then designing to meet those needs as effectively as possible within economic and technological constraints.”
Brooks went on to play a major role in the development of the IBM System/360 (now called the IBM zSeries) line of computers, where “architecture” gained currency as a noun with the definition as “what the user needs to know”. Later the computer world would employ the term in many less-explicit ways.
Read more about this topic: Computer Architecture
Famous quotes containing the word history:
“All history and art are against us, but we still expect happiness in love.”
—Mason Cooley (b. 1927)
“The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenicealthough, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.”
—Edgar Allan Poe (18091849)
“In the history of the human mind, these glowing and ruddy fables precede the noonday thoughts of men, as Aurora the suns rays. The matutine intellect of the poet, keeping in advance of the glare of philosophy, always dwells in this auroral atmosphere.”
—Henry David Thoreau (18171862)