In Culture
The Kestrel is sometimes seen, like other birds of prey, as a symbol of the power and vitality of nature. In "Into Battle" (1915), the war poet Julian Grenfell invokes the superhuman characteristics of the Kestrel among several birds, when hoping for prowess in battle:
"The kestrel hovering by day,
And the little owl that call at night,
Bid him be swift and keen as they,
As keen of ear, as swift of sight."
Gerard Manley Hopkins (1844–1889) writes on the kestrel in his poem The Windhover, exalting in their mastery of flight and their majesty in the sky.
"I caught this morning morning's minion, king-
dom of daylight's dauphin, dapple-dawn-drawn Falcon, in his riding"
Archaic names for the kestrel include windhover and windfucker, due to its habit of beating the wind (hovering in air).
A kestrel is also one of the main characters in The Animals of Farthing Wood.
Read more about this topic: Common Kestrel
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“It is not part of a true culture to tame tigers, any more than it is to make sheep ferocious.”
—Henry David Thoreau (1817–1862)
“Let a man attain the highest and broadest culture that any American has possessed, then let him die by sea-storm, railroad collision, or other accident, and all America will acquiesce that the best thing has happened to him; that, after the education has gone far, such is the expensiveness of America, that the best use to put a fine person to is to drown him to save his board.”
—Ralph Waldo Emerson (1803–1882)