Come and Get IT (film) - Production

Production

Samuel Goldwyn paid $150,000 for the screen rights to the Edna Ferber novel, who sold it to him confident he understood she had intended it to be "primarily a story of the rape of America . . . by the wholesale robber barons of that day." Goldwyn was attracted to the melodramatic Barbary Coast-like aspects of the story, which prompted him to hire that film's director, Howard Hawks, to bring Come and Get It to the screen. He also was intrigued by the fact Hawks' grandfather had served as the basis for the character of Barney Glasgow. Ferber had approved Jane Murfin's script, which Hawks found wanting, and he persuaded her and Goldwyn to allow him to bring in Jules Furthman to work on a rewrite.

Goldwyn announced Miriam Hopkins would play the dual roles of Lotta Morgan and Lotta Bostrom, but Hawks was not happy with his choice. He looked at numerous screen tests of aspiring starlets and finally settled on Andrea Leeds, who previously had played minor or uncredited roles in a handful of films. Eventually he replaced her with the even less experienced Frances Farmer and cast her in the supporting role of Ewie Glasgow, Richard's younger sister, instead. Goldwyn tried to borrow Spencer Tracy from MGM for the lead role of Barney Glasgow, but Louis B. Mayer refused to let him work for his chief rival, so contract player Edward Arnold was assigned the role.

Soon after filming began, Goldwyn underwent two major surgeries that incapacitated him for a lengthy period of time, keeping him away from the studio and the daily rushes. Hawks took advantage of the situation and allowed Furthman to change completely the tone of Ferber's original story; cast slender Walter Brennan as Swan Bostrom, a man Ferber had described as "the strongest man in the North woods;" and arrange a shooting schedule and budget Goldwyn never would have approved.

Upon returning to the studio, Goldwyn viewed a rough cut of the film and was shocked to discover Hawks had shifted the focus from the unbridled destruction of the land to a love triangle in which brawling Barney Glasgow and Swan Bostrom vied for the affections of lusty Lotta Morgan. The character of Richard Glasgow, intended to be the second lead, barely was in the film, which was cluttered with Hawks-like improvised bits of business. When the director refused to comply with Goldwyn's demands for major changes, the producer fired Hawks from the project.

William Wyler had begun post-production work on Dodsworth when he was summoned to Goldwyn's home and told he would be completing Come and Get It. Wyler was loath to take over a film started by someone else, but Goldwyn threatened him with suspension if he refused to accept the assignment. He did so reluctantly, and in later years he recalled, "I was talked into doing it, and I've been sorry about that ever since. The picture wasn't very good." Wyler spent two weeks filming what amounted to about the final third of the completed film. He strongly objected to Goldwyn's desire to give him sole directing credit, and preferred his name not be attached to the film at all. He finally relented but only when Goldwyn agreed to give Hawks top billing. Wyler never considered Come and Get It a part of his filmography and disowned it whenever he could, although it greatly pleased Ferber, who praised Goldwyn "for the courage, sagacity, and power of decision" he demonstrated by "throwing out the finished Hawks picture and undertaking the gigantic task of making what amounted to a new picture."

Exterior scenes were filmed along the North Fork Clearwater River in Idaho.

The soundtrack includes "Aura Lea" by George R. Poulton and W. W. Fosdick and "The Bird on Nellie's Hat" by Alfred Solman and Arthur J. Lamb.

Edward Arnold reprised the role of Barney Glasgow in two radio adaptations of the Ferber novel. The first aired on Lux Radio Theater on November 13, 1937, and the second was broadcast by The Screen Guild Theater on March 15, 1942.