Come and Get IT (film) - Critical Reception

Critical Reception

Frank S. Nugent of the New York Times felt compressing Ferber's saga spanning fifty years into the story of a single generation "arrested the panoramic sweep of the story, converting it from a mural of the American scene into a vividly toned portrait of a man. But the transformation is readily excusable, for Barney was the heart of the novel and we felt it had stopped beating when he died." He added, "Although there is nothing new in the theme, it has been simply and powerfully expressed by a number of admirable performances, and it has been played against an interesting background. There are several extraordinarily graphic scenes of logging operations, the atmosphere of the late Eighties and early Nineties has been reproduced handsomely in the settings and costumes and . . . it never fails to reward your attention. There's nothing static about this one, thanks to Howard Hawks and William Wyler, the directors; to Gregg Toland's photography, and to the work of a uniformly fine cast." He concluded, "You won't find Come and Get It a thoroughly Ferber work, but enough of her has been retained and enough good Goldwyn added to make it a genuinely satisfying picture."

British Channel 4 observed, "It's a minor Hawks, to be sure, and the action does tend to lag at times, but the fine performances from Farmer, Brennan and McCrea are what make it."