Career
Atwood began her career as a fashion advisor in Washington State in the early 1970s. She moved to New York in 1980, where she studied art at New York University. Her movie career started after a chance encounter with someone whose mother was designing the sets for the film Ragtime, and she got the job of a PA (production assistant) in the film. She worked as an assistant to a costume designer and eventually earned her first film credit for A Little Sex, directed by Bruce Paltrow.
Eventually Atwood ventured into the world of costume design for theater and film, initially coming to fame through her work on Sting's Bring on the Night World Tour, also made into a documentary by the same name. An important turning point in her career came when, through the production designer with whom she had worked in Joe Vs. The Volcano, she met director Tim Burton. Atwood and Burton worked together on over seven films in the next two decades, starting with Edward Scissorhands and including Sleepy Hollow, Ed Wood, Big Fish, Planet of the Apes, and Sweeney Todd. She moved to Los Angeles in 1990.
Atwood has been partially involved in developing or has been the lead designer for producing the costumes on over 50 films to date. She was the lead costume designer for all the new costumes created for Ringling Bros. and Barnum & Bailey Circus in 2005-2006. She also designed The Black Parade band uniforms for the band My Chemical Romance, as well as costumes for the following album, Danger Days: The True Lives of the Fabulous Killjoys.
Read more about this topic: Colleen Atwood
Famous quotes containing the word career:
“They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.”
—Anne Roiphe (20th century)
“From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating “Low Average Ability,” reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.”
—Robert Benchley (1889–1945)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)