Building
The property on which the Colegio sits used to belong to the Convent of La Enseñanza. When the convent was closed in 1863, due to the Reform Laws, this site first became the Palace of Justice. Later, the property was split to house the General Notary Archives and the Colegio. The building took on its present appearance in 1871. During the presidency of Lázaro Cárdenas, the building used by the Unified Socialist Youth Movement.
The main access to the building is on Luis Gonzalez Obregon between Rep. de Argentina and Rep. de Brazil Streets. This used to be the back entrance to the convent. The facade of the building has three levels and is covered in tezontle, a blood-red, porous, volcanic stone. The doors, windows and balconies are framed in chiluca, a greyish-white stone. The windows and balconies have ironwork railings and window guards. The main entrance leads to an entrance hall, which leads to a central patio. The ground floor of the patio is marked with pilasters while the upper level has columns. The most important room in this building is the assembly hall, where debates take place, new members are initiated and congresses in the College's various specialities are conducted.
The building houses a collection of nine gilded altarpieces that date from the end of the 17th century, with the largest of these dedicated to the Our Lady of the Pillar. Among the paintings on display are "The Assumption of Mary" and "The Virgin of the Book of Revelation Apocalypse", both done by Andres Lopez in 1779.
Read more about this topic: Colegio Nacional
Famous quotes containing the word building:
“The chemistry of dissatisfaction is as the chemistry of some marvelously potent tar. In it are the building stones of explosives, stimulants, poisons, opiates, perfumes and stenches.”
—Eric Hoffer (1902–1983)
“The legislative powers of government reach actions only, and not opinions, ... thus building a wall of separation between Church and State.”
—Thomas Jefferson (1743–1826)
“Culture is a sham if it is only a sort of Gothic front put on an iron building—like Tower Bridge—or a classical front put on a steel frame—like the Daily Telegraph building in Fleet Street. Culture, if it is to be a real thing and a holy thing, must be the product of what we actually do for a living—not something added, like sugar on a pill.”
—Eric Gill (1882–1940)