Background
Run by two DJs Rudeboy (who pioneered one of the earliest underground music nights at Commerce Club, the infamous Class War free raves and then went on to run the BBoy Discotheque experimenting in the original sounds of rap) and Hot Rod (a long-time announcer on a radio show called Tronik Voodoo Exorcism on 3PBS-FM also known as Mad Rod), the night reflected the cutting edge of global styles in techno and club music. Borrowing heavily from the Gay scene, they lent towards the obscure and taboo Performing Arts. The club always regularly had shows and live performances from electro poets to male strippers and drag shows. Early on pursuing a more acid house sound, pre-nascent hardcore techno and drum & bass, then filtering across into the sounds of Detroit, Chicago, New York, Berlin, Cologne, London, Sweden, Scotland, and - of course - Melbourne. Filter's sound also cut across record labels as varied as Djax, Force Inc., Tresor, Relief, Axis, Purpose Maker, Sativae, Mosquito, Nova Mute, Valve, Drumcode, Stayupforever, and Pharma.
Dom Phillips, the editor of the UK's Mixmag, visited the club in late 1995 and referred to it in a subsequent article on Melbourne's underground scene thus: "Filter is a wicked club, one of those long-running midweek specials that are, somehow, always cool... Some things are international."
Zebra Magazine, the dance/nightclub music insert in Melbourne's Inpress, wrote in 1997 that "Club Filter at the Lounge has virtually established itself as a cultural icon within Melbourne's dance music fraternity."
Read more about this topic: Club Filter Melbourne
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