Cleveland Heights High School - Heights High Instrumental Music Department

Heights High Instrumental Music Department

Former Heights High Instrumental Music Directors:

  • 1969–1988: Director Robert Bergantino. While at Heights High his orchestras were recognized as being among the best in the country as evidenced by numerous appearances at Music Education Conferences, a perfect record of receiving unanimous "I" ratings in every competition entered, and 19 touring appearances in many parts of the country.
  • 1974–2001: James W. Bane. While at Heights High School his teaching responsibilities included Symphonic Winds, Symphonic Band, Concert Band, Marching Band and Jazz Band. Mr. Bane's was well known for Jazz Nights, featuring the schools talent, as well as consistently directing an 100+ member Marching Band. Mr Bane and Dr. Mayer are responsible for starting the Chamber Ensemble elective at Heights High School
  • 2001–Present: Brett Baker
  • 1992–2004: Director Dr. Frederick R Mayer. His teaching responsibilities included Heights High Symphony, Concert Orchestra, Chamber Ensembles, Marching Band, African-American music, music theory and music technology. During the summer months Dr. Mayer was the director of the Cleveland Music School Settlement Summer Music & Fine Arts Camp.
  • 2004-2007: Director Donna Dehn. Was responsible for teaching and directing the Symphony Orchestra, Concert Orchestra, AP Music Theory and the Chamber program, which consists of approximately 20 student chamber groups. These groups compete at OMEA Solo and Ensemble contest, perform recitals at Heights High, and provide live music at community functions.
  • 2007–2009: Scott Astey.
  • 2009–Present: Daniel Heim.

Read more about this topic:  Cleveland Heights High School

Famous quotes containing the words heights, high, instrumental, music and/or department:

    Men go out to admire the heights of mountains, the huge waves of the sea, the broadest spans of rivers, the circle of ocean, the revolutions of stars, and leave themselves behind.
    St. Augustine (354–430)

    His purity was too great, his aspiration too high for this poor, miserable world! His great soul is now only enjoying that for which it was worthy!
    Victoria (1819–1901)

    All history attests that man has subjected woman to his will, used her as a means to promote his selfish gratification, to minister to his sensual pleasures, to be instrumental in promoting his comfort; but never has he desired to elevate her to that rank she was created to fill. He has done all he could to debase and enslave her mind; and now he looks triumphantly on the ruin he has wrought, and say, the being he has thus deeply injured is his inferior.
    Sarah M. Grimke (1792–1873)

    During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.”
    —Administration in the State of Texa, U.S. public relief program (1935-1943)

    “Which is more important to you, your field or your children?” the department head asked. She replied, “That’s like asking me if I could walk better if you amputated my right leg or my left leg.”
    —Anonymous Parent. As quoted in Women and the Work Family Dilemma, by Deborah J. Swiss and Judith P. Walker, ch. 2 (1993)