Clent Hills - Cultural Influence

Cultural Influence

The poet William Shenstone lived at The Leasowes and was a near neighbour of the Lyttelton family at Hagley Hall. Shenstone garden at The Leasowes was one of the most notable gardens in England in the mid 1700s and his Un­connected Thoughts on Gardening on of the more influential of the age.

On 30 August 1746 William Lyttelton called at The Leasowes with his friend the poet James Thomson. Shenstone later wrote a letter about the encounter which was published in 1800.

After introductions and a conversation inside the house about a valley and the brook that Lyttelton and Thomson passed on their way to The Leasowes and which had much impressed Thompson for its beauty, Shenstone invited the pair to view the vista from the green behind his house. They conversed about a small nearby feature called Farmers Hill and Thomson suggested that Shenstone should extend his garden, but Shenstone explained to him that he would rather take which was already there and augment it "The French, it appears, have their arque ornèe; and why is not Ferme ornèe as good an expression?". As his guests could not stay long owing to a dinner engagement they were unable to visit Shenstone's upper wood, but warming to Shenstone suggestion on how to improve the landscape Shepstone wrote that the conversation continued thus:

"You have nothing to do (says ) but to dress Nature. Her robe is ready made; you have only to caress her; love her; kiss her; and then --- descend into the valley." Coming out into the court before the house, he mentioned Clent and Waw-ton Hill as the two bubbies of Nature: then Mr L. observed the nipple, and then Thomson the fringe of Uphmore wood; till the double entendre was work'd up to a point, and produced a laugh.

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