Theater
- 1953 : La Corde by Gabriel Arout
- 1954 : Bel Ami by Frédéric Dard
- 1954 : Carlos et Marguerite by Jean Bernard-Luc
- 1954 : Les Pas perdus by Pierre Gascar
- 1955 : Les Amants novices by Jean Bernard-Luc
- Espoir by Henry Bernstein
- La Petite Hutte by André Roussin
- Père by Édouard Bourdet
- Un beau dimanche de septembre by Ugo Betti
- 1960 : Château en Suède by Françoise Sagan
- Victor ou les Enfants au pouvoir by Roger Vitrac
- Le Retour by Harold Pinter
- La Crécelle by Charles Dyer
- Les Quatre Saisons by Arnold Wesker
- Hadrien VII by Luke Peter
- Jean de La Fontaine by Sacha Guitry
- Pauvre Assassin by Pavel Kohout
- 1973 : Honni soit qui mal y pense by Peter Barnes
- 1975 : Le Zouave by Claude Rich
- 1976 : Lorenzaccio by Alfred de Musset
- 1977 : Périclès by William Shakespeare
- 1979 : Un habit pour l'hiver by Claude Rich
- 1983 : K2 by Patrick Meyers
- 1986 : Faisons un rêve by Sacha Guitry
- 1987 : Une chambre sur la Dordogne by Claude Rich
- 1988 : Réveille-toi Philadelphie by François Billetdoux
- 1990 : Le Souper by Jean-Claude Brisville
- 2003 : Les Braises by Sándor Márai, directed by Didier Long
- 2005 : Le Caïman by Antoine Rault
- 2008 : Le diable rouge by Antoine Rault
Read more about this topic: Claude Rich
Famous quotes containing the word theater:
“The Miss America contest is ... the most perfectly rendered theater in our culture, for it so perfectly captures what we yearn for: a low-class ritual, a polished restatement of vulgarity, that wants to open the door to high-class respectability by way of plain middle-class anxiety and ambition.”
—Gerald Early (b. 1952)
“It’s one of the tragic ironies of the theater that only one man in it can count on steady work—the night watchman.”
—Tallulah Bankhead (1903–1968)
“Be reflective ... and stay away from the theater as much as you can. Stay out of the theatrical world, out of its petty interests, its inbreeding tendencies, its stifling atmosphere, its corroding influence. Once become “theatricalized,” and you are lost, my friend; you are lost.”
—Minnie Maddern Fiske (1865–1932)