Classical Sculpture - Archaic Period

Archaic Period

The most important sculptural form of the Archaic Period was the kouros (plural kouroi), the standing male nude (See for example Biton and Kleobis). Reflecting Egyptian influence, kouros stand upright with their left leg slightly forward and their arms at their sides. Archaic Greek sculptors seem to have been influenced stylistically by the Egyptians, although divergences appeared early on. In particular, the male figures of Archaic Greece tended to be represented in the nude, while this was uncommon during all periods of ancient Egyptian art (except when slaves or enemies were depicted). As in Egyptian art, female subjects were always portrayed clothed; female nudity would not appear until much later on.

In this period, the later emphasis on naturalistic bone and muscle anatomy had not yet developed, which can be seen in observing details such as the knees and other critical joints. Some details seem to be "incised" rather than fully modeled, a relic of more ancient traditions. Nor did figures stand or move naturally. However, as the Archaic style gradually transformed into what is known as the Classical style, a clear progression displaying more and more technical knowledge and skill can be detected.

  • Unknown artist: Kouros Anavissos. National Archaeological Museum of Athens, ca. 530 BC

  • Unknown artist: Treasury of Siphnos frieze (detail), Delphi Archaeological Museum, ca. 525 BC

  • Attributed by some to Onatas or his school: Fallen Trojan warrior, figure W-VII of the west pediment of the Temple of Aphaia, Glyptothek, Munich, ca. 505–500 BC

  • Unknown artist: Funerary lion found at the Sacred Gate at the Kerameikon. Kerameikos Archaeological Museum, Athens, ca. 590–580 BC

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