Spectacles
Stanfield partnered with David Roberts in several large-scale diorama and panorama projects in the 1820s and 1830s. The newest development in these popular entertainments was the "moving diorama" or "moving panorama." These consisted of huge paintings that unfolded upon rollers like giant scrolls; they were supplemented with sound and lighting effects to create a nineteenth-century anticipation of cinema. Stanfield and Roberts produced eight of these entertainments; in light of their later accomplishments as marine painters, their panoramas of two important naval engagements, the Bombardment of Algiers and The Battle of Navarino, are worth noting.
A 1830 tour through Germany and Italy furnished Stanfield with material for two more moving panoramas, The Military Pass of the Simplon (1830) and Venice and Its Adjacent Islands (1831). Stanfield executed the first in only eleven days; it earned him a fee of £300. The Venetian panorama of the next year was 300 feet long and 20 high; gas lit, it unrolled through 15 or 20 minutes. The show included stage props and even singing gondoliers. After the show closed, portions of the work were re-used in productions of Shakespeare's The Merchant of Venice and Otway's Venice Preserved.
The moving panoramas of Stanfield and other artists became highlights of the traditional Christmas pantomimes.
Read more about this topic: Clarkson Frederick Stanfield
Famous quotes containing the word spectacles:
“How much more intense is the excitement wrought in the feelings of a crowd by the contemplation of human agony, than that brought about by the most appalling spectacles of inanimate matter.”
—Edgar Allan Poe (1809–1849)
“It is this admirable and immortal instinct for beauty which causes us to regard the earth and its spectacles as a glimpse, a correspondence of the beyond.”
—Charles Baudelaire (1821–1867)
“He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul.... He needed not the spectacles of books to read Nature; he looked inwards, and found her there.”
—John Dryden (1631–1700)