Circassian beauties is a phrase used to refer to an idealized image of the women of the Circassian people of the Northern Caucasus. A fairly extensive literary history suggests that Circassian women were thought to be unusually beautiful, spirited, and elegant, and as such were desirable as concubines. This reputation dates back to the later Middle Ages, when the Circassian coast was frequented by Italian traders from Genoa, and the founder of the Medici dynasty, Cosimo I de Medici, had a well-known affair with a Circassian slave girl. During the Ottoman Empire. Circassian women living as slaves in the Sultan's Imperial Harem started to build their reputation as extremely beautiful and genteel, which then became a common trope in Western Orientalism.
As a result of this reputation, in Europe and America Circassians were regularly characterised as the ideal of feminine beauty in poetry, novels, and art. Cosmetic products were advertised, from the 18th century on, using the word "Circassian" in the title, or claiming that the product was based on substances used by the women of Circassia.
In the 1860s the showman P. T. Barnum exhibited women whom he claimed were Circassian beauties. They wore a distinctive Afro-like hair style, which had no precedent in earlier portrayals of Circassians, but which was soon copied by other female performers, who became known as "moss haired girls". These were typically presented as victims of sexual enslavement among the Turks, who had escaped from the harem to achieve freedom in America.
Read more about Circassian Beauties: Literary Allusions, Advertising of Beauty Products, Racial Theories, 19th Century Sideshow Attraction
Famous quotes containing the word beauties:
“To make a final conquest of all me,
Love did compose so sweet an enemy,
In whom both beauties to my death agree,
Joining themselves in fatal harmony;
That while she with her eyes my heart does bind,
She with her voice might captivate my mind.”
—Andrew Marvell (16211678)