Decline
A decline in cinema admission set in after the 1970s. Director Dick Maas, making studio-style action-thrillers such as De Lift (1983) and Amsterdamned (1988), was about the only filmmaker having mainstream success in this period. He topped the box office charts with his dysfunctional family comedy Flodder (1986) and its sequel Flodder in Amerika (1992), the latter getting nearly one and a half million admissions, making it the most successful Dutch film since the introduction of the VCR. Some more artistic directors, such as Jos Stelling, Orlow Seunke and Alex van Warmerdam made magic realism movies. Other auteur-directors emerged during this era as well, including Theo van Gogh, Ate de Jong and more recently Cyrus Frisch. In this decade, acclaimed director Fons Rademakers won an Academy Award for Best Foreign Film with 1986's The Assault.
In the mid-1990s, the Dutch government introduced tax shelters (the so-called 'CV-regeling') to encourage private investments in Dutch films. After implementation of these new rules there was a boom in production of Dutch movies. It were however not the movies made through the tax shelter, but movies aimed at a young audience, such as Costa! (2001), that won back the confidence in the commercial viability of Dutch film. Costa! is about Dutch teenagers vacationing at the Spanish coast. The success of the film spawned several copycat films (for instance Volle Maan (Full Moon Party; 2002)) and a spin-off sitcom (also called Costa!), which ran for several seasons on the public broadcasting network BNN.
After a while the formula wore down and the new commercial flavor became films with a multicultural feel. Hush Hush Baby (Shouf Shouf Habibi, 2004) and Schnitzel Paradise (Het Schnitzelparadijs, 2005) were both comedies featuring Dutch/Moroccan actors and became a commercial success. The difference with Volle Maan is that the films were also acclaimed by critics (both in the Netherlands as internationally) and both films were shown at the Berlin Film Festival.
Read more about this topic: Cinema Of The Netherlands
Famous quotes containing the word decline:
“Considered physiologically, everything ugly weakens and saddens man. It reminds him of decay, danger, impotence; it actually reduces his strength. The effect of ugliness can be measured with a dynamometer. Whenever anyone feels depressed, he senses the proximity of something “ugly.” His feeling of power, his will to power, his courage, his pride—they decline with ugliness, they rise with beauty.”
—Friedrich Nietzsche (1844–1900)
“I rather think the cinema will die. Look at the energy being exerted to revive it—yesterday it was color, today three dimensions. I don’t give it forty years more. Witness the decline of conversation. Only the Irish have remained incomparable conversationalists, maybe because technical progress has passed them by.”
—Orson Welles (1915–1984)
“The decline of a culture
Mourned by scholars who dream of the ghosts of Greek boys.”
—Stephen Spender (1909–1995)