Cigar - Popularity

Popularity

The prevalence of cigar smoking varies depending on location, historical period, and population surveyed, and prevalence estimates vary somewhat depending on the survey method. The U.S. is the top consuming country by far, followed by Germany and the UK; the U.S. and western Europe account for about 75% of cigar sales worldwide. The 2005 U.S. National Health Interview Survey estimated that 2.2% of adults smoke cigars, about the same as smokeless tobacco but far less than the 21% of adults who smoke cigarettes; it also estimated that 4.3% of men but only 0.3% of women smoke cigars. The 2002 U.S. National Survey of Drug Use and Health found that adults with serious psychological distress are significantly more likely to smoke cigars than those without. A 2007 California study found that gay men and bisexual women smoke significantly fewer cigars than the general population of men and women, respectively. Substantial and steady increases in cigar smoking were observed during the 1990s and early 2000s in the U.S. among both adults and adolescents. Data suggest that cigar usage among young adult males increased threefold during the 1990s, a 1999–2000 survey of 31,107 young adult U.S. military recruits found that 12.3% smoked cigars, and a 2003–2004 survey of 4,486 high school students in a Midwestern county found that 18% smoked cigars.

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Famous quotes containing the word popularity:

    There are few cases in which mere popularity should be considered a proper test of merit; but the case of song-writing is, I think, one of the few.
    Edgar Allan Poe (1809–1845)

    The nation looked upon him as a deserter, and he shrunk into insignificancy and an earldom.... He was fixed in the house of lords, that hospital of incurables, and his retreat to popularity was cut off; for the confidence of the public, when once great and once lost, is never to be regained.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)

    A more problematic example is the parallel between the increasingly abstract and insubstantial picture of the physical universe which modern physics has given us and the popularity of abstract and non-representational forms of art and poetry. In each case the representation of reality is increasingly removed from the picture which is immediately presented to us by our senses.
    Harvey Brooks (b. 1915)