Cicero - Notable Fictional Portrayals

Notable Fictional Portrayals

Ben Jonson dramatised the Catiline conspiracy in his play Catiline His Conspiracy, featuring Cicero as a character. Cicero also appears as a minor character in William Shakespeare's play Julius Caesar.

Cicero was portrayed on the motion picture screen by British actor Alan Napier in the 1953 film Julius Caesar, based on Shakespeare's play. He has also been played by such noted actors as Michael Hordern (in Cleopatra), and Andre Morell (in the 1970 Julius Caesar). Most recently, Cicero was portrayed by David Bamber in the HBO series Rome (2005–2007) and appeared in both seasons.

In her series of historical novels "Masters of Rome" Colleen McCullough presents an unflattering depiction of Cicero's career, showing him struggling with an inferiority complex and vanity, morally flexible and fatally indiscreet, while his rival Julius Caesar is shown in a more approving light. Cicero is portrayed as a hero in the novel A Pillar of Iron by Taylor Caldwell (1965). Robert Harris' novels Imperium and Lustrum (Conspirata in the U.S.) are the first two parts of a planned trilogy of novels based upon the life of Cicero. In these novels Cicero's character is depicted in a more balanced way than in those of McCullough, with his positive traits equaling or outweighing his weaknesses (while conversely Caesar is depicted as more sinister than in McCullough). Cicero is a major recurring character in the Roma Sub Rosa series of mystery novels by Steven Saylor. He also appears several times as a peripheral character in John Maddox Roberts's SPQR series. Roberts's protagonist, Decius Metellus, admires Cicero for his erudition, but is disappointed by his lack of real opposition to Caesar, as well as puzzled by his relentless fawning on the Optimates, who secretly despise Cicero as a parvenu. In Spartacus: Swords and Ashes (2012) by Jonathan Clements, a young Cicero clashes with Verres shortly before the latter becomes the governor of Sicily, establishing another motive for their later antagonism.

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