Christian Pop Culture

Christian pop culture (or Christian popular culture), is the vernacular Christian culture that prevails in any given society. The content of popular culture is determined by the daily interactions, needs and desires, and cultural 'movements' that make up everyday lives of Christians. It can include any number of practices, including those pertaining to cooking, clothing, mass media and the many facets of entertainment such as sports and literature

Culture, as a way of defining one's self, needs to attract people's interest and persuade them to invest a part of themselves in it. People like to feel a part of a tribe and understand their identity within that tribe. This works well in small communities and people feel needed and special in their small world. Mass culture however lets people define themselves in relation to everybody else in mass society. In a sense it 'makes the ball park a lot bigger' and we have to fight harder to find and keep our identity.

Read more about Christian Pop Culture:  Definitions, Origins, Criticism

Famous quotes containing the words pop culture, christian, pop and/or culture:

    There is no comparing the brutality and cynicism of today’s pop culture with that of forty years ago: from High Noon to Robocop is a long descent.
    Charles Krauthammer (b. 1950)

    It will be proved to thy face that thou hast men about thee that usually talk of a noun and a verb and such abominable words as no Christian ear can endure to hear.
    William Shakespeare (1564–1616)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle- class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.
    Christopher Lasch (b. 1932)