Students
Among her early students was Anthony Heinsbergen, who went on to become a leading muralist. Also attending, with film careers in mind, were three time Academy Award winner for Art Direction, John DeCuir, Sr.; Randal Duell; and legendary Disney artists such as Herbert Ryman, Mary Blair and John Hench. Every major Hollywood film studio in the late 1930s and early 1940s looked to Mrs. Chouinard to provide the talent pool for their art departments and many legendary film and entertainment design careers were launched under her guidance.
Chouinard was important in the Westcoast art movements from 1921-1972. Faculty and students included DISNEY'S ORIGINAL ANIMATORS (Marc Davis, Chuck Jones, et al.), THE CALIFORNIA WATERCOLOR SCHOOL (Millard Sheets, Phil Dike, Phil Paradise, et al.), SYNCROMISM (Stanton MacDonald Wright), WESTCOAST ABSTRACTION (Matsumi Kanemitsu, Hans Burkhardt, Emerson Woelffer, Dan Lutz, Michael Frary, Richards Ruben, et al.), ARCHITECTURE (Richard Neutra, Rudolph Schindler, et al.), MURALISM (David Alfaro Siqueiros, Millard Sheets, Philip Guston, et al.), COSTUME DESIGN (Edith Head, Bonnie Cashin, Theadora Van Runkle, et al.), DESIGN (Lou Danziger, et al.), HARD EDGE PAINTING (Frederick Hammersley, Lorser Feitelson, et al.), FERUS/ WESTCOAST POP (John Altoon, Llyn Foulkes, Ed Ruscha, Larry Bell, Ken Price, Billy Al Bengston, John Baldessari, et al.), CERAMICS (Elsa Rady, Jun Kaneko, Otto Heino, Peter Shire, Ralph Bacerra, et al.), FILM (Terry Gilliam, et al.), PHOTOGRAPHY (Edmund Teske), SURF/SKATE/ROCK (John Van Hammersveld, Jim Ganzer, Rick Griffin, Ivan Hosoi, Boyd Elder, et al.), LIGHT AND SPACE (Robert Irwin, Doug Wheeler, et al.), CONCEPTUALISM (Jack Goldstein, Terry Allen, Al Ruppersberg, et al.) and GRAFFITI (Chaz Bojorquez).
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Famous quotes containing the word students:
“The fetish of the great university, of expensive colleges for young women, is too often simply a fetish. It is not based on a genuine desire for learning. Education today need not be sought at any great distance. It is largely compounded of two things, of a certain snobbishness on the part of parents, and of escape from home on the part of youth. And to those who must earn quickly it is often sheer waste of time. Very few colleges prepare their students for any special work.”
—Mary Roberts Rinehart (18761958)
“I know that I will always be expected to have extra insight into black textsespecially texts by black women. A working-class Jewish woman from Brooklyn could become an expert on Shakespeare or Baudelaire, my students seemed to believe, if she mastered the language, the texts, and the critical literature. But they would not grant that a middle-class white man could ever be a trusted authority on Toni Morrison.”
—Claire Oberon Garcia, African American scholar and educator. Chronicle of Higher Education, p. B2 (July 27, 1994)
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—For the State of Massachusetts, U.S. public relief program (1935-1943)