Chosroid Dynasty - Origins

Origins

According to the early medieval Georgian tradition, the first Chosroid king Mirian III (Mihran) (ruled 284-361 AD) was installed, through his marriage to an Iberian princess (daughter of the last Georgian Arsacid king Aspacures I), on the throne of Iberia by his father whom the Georgian chronicles refer to as "Chosroes", Great King of Iran. This being during the rule of the Sassanid dynasty over Iran, it is assumed that the Iberian dynasty might have been related to the Sassanids. However, the exact kinship between the two dynasties remains unclear. The name Chosroes (Khusraw) was not used by the Iranian Sassanids until some time later; hence, either the Georgian annals are mistaken in the name of Mirian’s father, or "Chosroes" was taken as a general term meaning "king".

Professor Cyril Toumanoff suggested that the Chosroids were a branch of the Mihranid princely family, one of the Seven Great Houses of Iran, who were distantly related to the Sassanids, and whose two other branches were soon placed on the thrones of Gogarene and Gardman, the two Caucasian principalities where the three nations – Armenians, Albanians, and Georgians – commingled. The Georgian historian Giorgi Melikishvili, however, doubted the Iranian origin of the Chosroids and considered them a local dynasty that had invented a mythological foreign ancestry, not an unusual thing in feudal genealogies. Either way, the Georgian tradition might have exaggerated Mirian's pedigree so as to make him the son of the Great King of Iran.

Read more about this topic:  Chosroid Dynasty

Famous quotes containing the word origins:

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    Grown onto every inch of plate, except
    Where the hinges let it move, were living things,
    Barnacles, mussels, water weeds—and one
    Blue bit of polished glass, glued there by time:
    The origins of art.
    Howard Moss (b. 1922)

    The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?”
    Katharine Hamnett (b. 1948)