Chord (music) - Seventh Chords

Seventh Chords

Main article: Seventh chord See also: Jazz and pop notation for seventh chords

Seventh chords are tertian chords (see above), constructed by adding a fourth note to a triad, at the interval of a third above the fifth of the chord. This creates the interval of a seventh above the root of the chord, the next natural step in composing tertian chords. The seventh chord on the fifth step of the scale (the dominant seventh) is the only one available in the major scale: it contains all three notes of the diminished triad of the seventh and is frequently used as a stronger substitute for it.

There are various types of seventh chords depending on the quality of both the chord and the seventh added. In chord notation the chord type is sometimes superscripted and sometimes not (e.g. Dm7, Dm7, and Dm7 are all identical).

Component intervals Chord symbol Notes Audio
Third Fifth Seventh
Diminished seventh minor diminished diminished Co7, Cdim7 C E♭ G♭ B Play
Half-diminished seventh minor diminished minor Cø7, Cm7♭5, C−7(♭5) C E♭ G♭ B♭ Play
Minor seventh minor perfect minor Cm7, Cmin7, C−7, C−7 C E♭ G B♭ Play
Minor major seventh minor perfect major Cm(M7), Cm maj7, C−(j7), C−Δ7, C−M7 C E♭ G B Play
Dominant seventh major perfect minor C7, C7, Cdom7 C E G B♭ Play
Major seventh major perfect major CM7, Cmaj7, CΔ7, CΔ7, CΔ7, Cj7 C E G B Play
Augmented seventh major augmented minor C+7, Caug7, C7+, C7+5, C7♯5 C E G♯ B♭ Play
Augmented major seventh major augmented major C+(M7), CM7+5, CM7♯5, C+j7, C+Δ7 C E G♯ B Play

Read more about this topic:  Chord (music)

Famous quotes containing the words seventh and/or chords:

    I’m not making light of prayers here, but of so-called school prayer, which bears as much resemblance to real spiritual experience as that freeze-dried astronaut food bears to a nice standing rib roast. From what I remember of praying in school, it was almost an insult to God, a rote exercise in moving your mouth while daydreaming or checking out the cutest boy in the seventh grade that was a far, far cry from soul-searching.
    Anna Quindlen (b. 1952)

    To be a poet is to have a soul so quick to discern, that no shade of quality escapes it, and so quick to feel, that discernment is but a hand playing with finely-ordered variety on the chords of emotion—a soul in which knowledge passes instantaneously into feeling, and feeling flashes back as a new organ of knowledge. One may have that condition by fits only.
    George Eliot [Mary Ann (or Marian)