Choir - Structure of Choirs

Structure of Choirs

Choirs are often led by a conductor or choirmaster. Most often choirs consist of four sections intended to sing in four part harmony, but there is no limit to the number of possible parts as long as there is a singer available to sing the part: Thomas Tallis wrote a 40-part motet entitled Spem in alium, for eight choirs of five parts each; Krzysztof Penderecki's Stabat Mater is for three choirs of 16 voices each, a total of 48 parts. Other than four, the most common number of parts are three, five, six and eight.

Choirs can sing with or without instrumental accompaniment. Singing without accompaniment is called a cappella singing (although the American Choral Directors Association discourages this usage in favor of "unaccompanied," since a cappella denotes singing "as in the chapel" and much unaccompanied music today is secular). Accompanying instruments vary widely, from only one to a full orchestra; for rehearsals a piano or organ accompaniment is often used, even if a different instrumentation is planned for performance, or if the choir is rehearsing unaccompanied music.

Many choirs perform in one or many locations such as a church, opera house or school hall. In some cases choirs join up to become one "mass" choir that performs for a special reason. In this case they provide a series of songs or musical works to celebrate and provide entertainment to others.

Read more about this topic:  Choir

Famous quotes containing the words structure of, structure and/or choirs:

    The verbal poetical texture of Shakespeare is the greatest the world has known, and is immensely superior to the structure of his plays as plays. With Shakespeare it is the metaphor that is the thing, not the play.
    Vladimir Nabokov (1899–1977)

    Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.
    Paul Tillich (1886–1965)

    A man’s growth is seen in the successive choirs of his friends. For every friend whom he loses for truth, he gains a better.
    Ralph Waldo Emerson (1803–1882)