Chocolate USA - History

History

The band formed as Miss America in 1989 with Koster as singer, guitarist, and principal songwriter, Liza Wakeman (violin), Alan Edwards (guitar), Paul Wells (bass guitar), and Keith Block (drums). After self-releasing cassettes to fans via their "Chocolaty Good Smash Hit of the Month Club", they released debut album All Jets Are Gonna Fall Today themselves. It was reissued in 1992 by Bar/None Records. All Jets Are Gonna Fall Today was released under the Chocolate USA banner after Miss America made legal threats. By this time Wells and Edwards had left with George Harris, Gerry Hammill, and Chris Irvin being drafted in. The lo-fi band released a second album under Bar/None entitled Smoke Machine in 1994, this time with core members Koster, Wakeman, and Block joined by Bill Doss, Eric Harris, and Jesse Rogers, before disbanding for other, ultimately more successful, projects. Their sound can be described as quirky, and containing many different sorts of instrumentation, which is a trait that went with Koster into The Music Tapes and Neutral Milk Hotel; present in their releases are Guitars, Bass Guitars, Standup Basses, Accordions, Concertinas, Rattles, drums, robot sound effects, organs, toy pianos, banjos, and numerous other instruments.

Member Bill Doss was announced dead on July 31, 2012, with the cause of death not yet confirmed.

Read more about this topic:  Chocolate USA

Famous quotes containing the word history:

    He wrote in prison, not a History of the World, like Raleigh, but an American book which I think will live longer than that. I do not know of such words, uttered under such circumstances, and so copiously withal, in Roman or English or any history.
    Henry David Thoreau (1817–1862)

    All history is a record of the power of minorities, and of minorities of one.
    Ralph Waldo Emerson (1803–1882)

    The history of work has been, in part, the history of the worker’s body. Production depended on what the body could accomplish with strength and skill. Techniques that improve output have been driven by a general desire to decrease the pain of labor as well as by employers’ intentions to escape dependency upon that knowledge which only the sentient laboring body could provide.
    Shoshana Zuboff (b. 1951)