Broadway
In 1951, Rivera accompanied a friend to the audition for the touring company of Call Me Madam and ended up winning the role herself. She followed this by landing roles in other Broadway productions such as Guys and Dolls and Can-Can. In 1957, she was cast in the role which was destined to make her a Broadway star, the firebrand Anita in West Side Story. (The role would bring fame and an Oscar to another Puerto Rican, Rita Moreno, in the 1961 film version). Rivera starred in a national tour of Can-Can and played the role of Nickie in the film adaptation of Sweet Charity with Shirley MacLaine.
On December 1, 1957, Rivera married dancer Tony Mordente. Her performance was so important for the success of the show that the London production of West Side Story was postponed until she gave birth to the couple's daughter Lisa. In 1963, Rivera was cast opposite Alfred Drake in Zenda. The Broadway-bound musical closed on the road. In 1975 she appeared as Velma Kelly in the original cast of the musical Chicago.
In 1984 she starred in the musical The Rink with Liza Minnelli and won her first Tony award for her role as Anna. In 1986, while performing in the Jerry Herman musical, "Jerry's Girls," Rivera was in a severe accident when her car collided with a taxi on West 86th Street in Manhattan. Injuries sustained included the breaking of her left leg in twelve places, requiring eighteen screws and two braces to mend. After rehabilitation, Rivera continued to perform on stage. Miraculously revitalized, in 1988, she endeavored in a restaurant venture in partnership with the novelist, Daniel Simone. The eatery, located on 42nd Street between 9th and 10th Avenue, was named after her, 'Chita's'. It soon became a significant attraction for the after-theater crowds and remained open until 1994. In addition to her ballet instructors, Rivera credited Leonard Bernstein and Gwen Verdon, with whom she starred in Chicago, as being people from whom she learned a great deal.
Read more about this topic: Chita Rivera
Famous quotes containing the word broadway:
“... here hundreds sit and play Bingo; here the bright lights of Broadway burn through a sea haze; here Somebodies tumble over other Somebodies and over Nobodies as well.”
—For the State of New Jersey, U.S. public relief program (1935-1943)
“The name of the town isn’t important. It’s the one that’s just twenty-eight minutes from the big city. Twenty-three if you catch the morning express. It’s on a river and it’s got houses and stores and churches. And a main street. Nothing fancy like Broadway or Market, just plain Broadway. Drug, dry good, shoes. Those horrible little chain stores that breed like rabbits.”
—Joseph L. Mankiewicz (1909–1993)
“We all know that the theater and every play that comes to Broadway have within themselves, like the human being, the seed of self-destruction and the certainty of death. The thing is to see how long the theater, the play, and the human being can last in spite of themselves.”
—James Thurber (1894–1961)